Never closed, on paper
An opening date, a substantial run, and no closing date at all. 212 productions, and 188 of them opened before 1950, so this is overwhelmingly a record-keeping absence rather than a show that never came off.
212 in the catalogue.
| Wooden Kimono Martin Beck Theatre | 1926 | 209 perf. |
| The Shanghai Gesture Martin Beck Theatre | 1926 | 206 perf. |
| The Little Spitfire Cort Theatre | 1926 | 200 perf. |
| In Abraham's Bosom Provincetown Playhouse | 1926 | 200 perf. |
| The Road to Rome Playhouse Theatre | 1927 | 392 perf. |
| Porgy Guild Theatre | 1927 | 367 perf. |
| Coquette Maxine Elliotts Theatre | 1927 | 366 perf. |
| The Ivory Door Charles Hopkins Theatre | 1927 | 310 perf. |
| Dracula Fulton Theatre | 1927 | 261 perf. |
| The Command to Love Longacre Theatre | 1927 | 247 perf. |
| Paris Bound Music Box Theatre | 1927 | 234 perf. |
| Interference Empire Theatre | 1927 | 224 perf. |
| Jimmie's Women Biltmore Theatre | 1927 | 216 perf. |
| Skidding Bijou Theatre | 1928 | 472 perf. |
| The Silent House Morosco Theatre | 1928 | 277 perf. |
| The Front Page Times Square Theatre | 1928 | 276 perf. |
| The Bachelor Father Belasco Theatre | 1928 | 263 perf. |
| The Perfect Alibi Charles Hopkins Theatre | 1928 | 255 perf. |
| Brothers 48th Street Theatre | 1928 | 255 perf. |
| Holiday Plymouth Theatre | 1928 | 229 perf. |
| The Age of Innocence Empire Theatre | 1928 | 207 perf. |
| Street Scene Playhouse Theatre | 1929 | 601 perf. |
| Strictly Dishonorable Avon Theatre | 1929 | 557 perf. |
| Let Us Be Gay Little Theatre | 1929 | 353 perf. |
| The Little Show Music Box | 1929 | 321 perf. |
| Young Sinners Morosco Theatre | 1929 | 289 perf. |
| Subway Express Liberty Theatre | 1929 | 271 perf. |
| My Girl Friday Theatre Republic | 1929 | 253 perf. |
| Michael and Mary Charles Hopkins Theatre | 1929 | 246 perf. |
| Berkeley Square Lyceum Theatre | 1929 | 229 perf. |
| Grand Hotel National Theatre | 1930 | 459 perf. |
| Stepping Sisters Belmont Theatre | 1930 | 333 perf. |
| The Last Mile Sam H Harris Theatre | 1930 | 289 perf. |
| The Greeks Had a Word for It Sam H Harris Theatre | 1930 | 253 perf. |
| Lysistrata 44th Street Theatre | 1930 | 252 perf. |
| Tonight or Never Belasco Theatre | 1930 | 232 perf. |
| The Vinegar Tree Playhouse Theatre | 1930 | 229 perf. |
| Apron Strings Bijou Theatre | 1930 | 224 perf. |
| Topaze Music Box Theatre | 1930 | 215 perf. |
| The Barretts of Wimpole Street Empire Theatre | 1931 | 370 perf. |
| Earl Carroll Vanities Earl Carroll Theatre | 1931 | 278 perf. |
| Reunion in Vienna Martin Beck Theatre | 1931 | 264 perf. |
| Private Lives Times Square Theatre | 1931 | 256 perf. |
| The Left Bank Little Theatre | 1931 | 242 perf. |
| Cynara Morosco Theatre | 1931 | 210 perf. |
| Tomorrow and Tomorrow Henry Millers Theatre | 1931 | 206 perf. |
| Another Language Booth Theatre | 1932 | 344 perf. |
| Biography Guild Theatre | 1932 | 267 perf. |
| Whistling in the Dark Ethel Barrymore Theatre | 1932 | 265 perf. |
| Dinner at Eight Music Box Theatre | 1932 | 232 perf. |
| The Late Christopher Bean Henry Millers Theatre | 1932 | 224 perf. |
| Dangerous Corner Empire Theatre | 1932 | 206 perf. |
| That's Gratitude Waldorf Theatre | 1932 | 204 perf. |
| Men in White Broadhurst Theatre | 1933 | 351 perf. |
| One Sunday Afternoon Little Theatre | 1933 | 322 perf. |
| Ah, Wilderness! Guild Theatre | 1933 | 289 perf. |
| Mary of Scotland Alvin Theatre | 1933 | 248 perf. |
| Personal Appearance Henry Millers Theatre | 1934 | 501 perf. |
| The Drunkard American Music Hall | 1934 | 277 perf. |
| Boy Meets Girl Cort Theatre | 1935 | 669 perf. |