The month Broadway actually starts. More productions have opened in October than in any other, and it is not close.
1,617 in the catalogue.
| The Venetian Theatre Masque | 1931 | 9 perf. |
| Two Seconds Ritz Theatre | 1931 | 59 perf. |
| Wonder Boy Alvin Theatre | 1931 | 44 perf. |
| Absent Father Vanderbilt Theatre | 1932 | 88 perf. |
| Americana Shubert Theatre | 1932 | 77 perf. |
| Black Sheep Morosco Theatre | 1932 | 4 perf. |
| Carry Nation Biltmore Theatre | 1932 | 30 perf. |
| Criminal at Large Belasco Theatre | 1932 | 161 perf. |
| Dangerous Corner Empire Theatre | 1932 | 206 perf. |
| Dinner at Eight Music Box Theatre | 1932 | 232 perf. |
| I Loved You Wednesday Sam H Harris Theatre | 1932 | 63 perf. |
| Keeping Expenses Down National Theatre | 1932 | 12 perf. |
| Liliom Civic Repertory Theatre | 1932 | 35 perf. |
| Mademoiselle Playhouse Theatre | 1932 | 103 perf. |
| Manhattan Varieties Cosmopolitan Theatre | 1932 | 11 perf. |
| Men Must Fight Lyceum Theatre | 1932 | 35 perf. |
| Nona Avon Theatre | 1932 | 31 perf. |
| Ol' Man Satan Forrest Theatre | 1932 | 24 perf. |
| Peacock 49th Street Theatre | 1932 | 7 perf. |
| Rendezvous Broadhurst Theatre | 1932 | 21 perf. |
| Tell Her the Truth Cort Theatre | 1932 | 11 perf. |
| The Anatomist Bijou Theatre | 1932 | 8 perf. |
| The Far-off Hills Martin Beck Theatre | 1932 | 13 perf. |
| The Girl Outside Little Theatre | 1932 | 8 perf. |
| The Good Earth Guild Theatre | 1932 | 56 perf. |
| The Great Lover Waldorf Theatre | 1932 | 23 perf. |
| The Late Christopher Bean Henry Millers Theatre | 1932 | 224 perf. |
| The New Gossoon Martin Beck Theatre | 1932 | 14 perf. |
| The Other One Biltmore Theatre | 1932 | 16 perf. |
| The Passionate Pilgrim 48th Street Theatre | 1932 | 5 perf. |
| The Surgeon Belmont Theatre | 1932 | 5 perf. |
| Things That Are Caesar's Martin Beck Theatre | 1932 | 4 perf. |
| When Ladies Meet Royale Theatre | 1932 | 173 perf. |
| A Divine Drudge Royale Theatre | 1933 | 12 perf. |
| Ah, Wilderness! Guild Theatre | 1933 | 289 perf. |
| An Undesirable Lady National Theatre | 1933 | 24 perf. |
| Champagne, Sec Morosco Theatre | 1933 | 113 perf. |
| Eight Bells Hudson Theatre | 1933 | 17 perf. |
| Give Us This Day Booth Theatre | 1933 | 3 perf. |
| Her Man of Wax Shubert Theatre | 1933 | 14 perf. |
| Her Master's Voice Plymouth Theatre | 1933 | 224 perf. |
| Keeper of the Keys Fulton Theatre | 1933 | 23 perf. |
| Let ‘Em Eat Cake Imperial Theatre | 1933 | 90 perf. |
| Move On, Sister Playhouse Theatre | 1933 | 7 perf. |
| Spring in Autumn Henry Millers Theatre | 1933 | 41 perf. |
| Ten Minute Alibi Ethel Barrymore Theatre | 1933 | 89 perf. |
| The Curtain Rises Vanderbilt Theatre | 1933 | 61 perf. |
| The Family Upstairs Biltmore Theatre | 1933 | 3 perf. |
| The Green Bay Tree Cort Theatre | 1933 | 166 perf. |
| The Jooss Ballet Forrest Theatre | 1933 | 48 perf. |
| The Pursuit of Happiness Avon Theatre | 1933 | 252 perf. |
| The School for Husbands Empire Theatre | 1933 | 116 perf. |
| The World Waits Little Theatre | 1933 | 30 perf. |
| Three and One Longacre Theatre | 1933 | 77 perf. |
| Thunder on the Left Maxine Elliotts Theatre | 1933 | 31 perf. |
| Under Glass Ambassador Theatre | 1933 | 8 perf. |
| A Sleeping Clergyman Guild Theatre | 1934 | 40 perf. |
| Allure Empire Theatre | 1934 | 8 perf. |
| Between Two Worlds Belasco Theatre | 1934 | 32 perf. |
| Bridal Quilt Biltmore Theatre | 1934 | 5 perf. |