The month Broadway actually starts. More productions have opened in October than in any other, and it is not close.
1,617 in the catalogue.
| Life With Mother Empire Theatre | 1948 | 262 perf. |
| Love Life 46th Street Theatre | 1948 | 252 perf. |
| Minnie and Mr. Williams Morosco Theatre | 1948 | 5 perf. |
| My Romance Shubert Theatre | 1948 | 95 perf. |
| Private Lives Plymouth Theatre | 1948 | 248 perf. |
| Summer and Smoke Music Box Theatre | 1948 | 102 perf. |
| The Leading Lady National Theatre | 1948 | 8 perf. |
| Where’s Charley? St. James Theatre | 1948 | 792 perf. |
| Lost in the Stars Music Box | 1949 | 273 perf. |
| Montserrat Fulton Theatre | 1949 | 65 perf. |
| Regina 46th Street Theatre | 1949 | 56 perf. |
| Roland Petit's Les Ballets de Paris Winter Garden Theatre | 1949 | 116 perf. |
| The Browning Version / Harlequinade Coronet Theatre | 1949 | 69 perf. |
| The Mikado Mark Hellinger Theatre | 1949 | 8 perf. |
| The Pirates Of Penzance Mark Hellinger Theatre | 1949 | 8 perf. |
| Touch and Go Broadhurst Theatre | 1949 | 176 perf. |
| Trial by Jury & H.M.S. Pinafore Mark Hellinger Theatre | 1949 | 8 perf. |
| Twelfth Night Empire Theatre | 1949 | 48 perf. |
| Yes, M'Lord Booth Theatre | 1949 | 87 perf. |
| Arms and the Man Arena Theatre | 1950 | 110 perf. |
| Burning Bright Broadhurst Theatre | 1950 | 13 perf. |
| Call Me Madam Imperial Theatre | 1950 | 644 perf. |
| Legend of Sarah Fulton Theatre | 1950 | 29 perf. |
| Pardon Our French Broadway Theatre | 1950 | 100 perf. |
| Roland Petit's Les Ballets de Paris National Theatre | 1950 | run not recorded |
| The Curious Savage Martin Beck Theatre | 1950 | 31 perf. |
| The Day After Tomorrow Booth Theatre | 1950 | 12 perf. |
| The Gioconda Smile Lyceum Theatre | 1950 | 41 perf. |
| The Grand Ballet New Century Theatre | 1950 | run not recorded |
| Barefoot in Athens Martin Beck Theatre | 1951 | 29 perf. |
| Buy Me Blue Ribbons Empire Theatre | 1951 | 13 perf. |
| Faithfully Yours Coronet Theatre | 1951 | 68 perf. |
| Glad Tidings Lyceum Theatre | 1951 | 100 perf. |
| Jose Greco Ballet Shubert Theatre | 1951 | 65 perf. |
| Judy Garland at the Palace "Two-A-Day" Palace Theatre | 1951 | 184 perf. |
| Love and Let Love Plymouth Theatre | 1951 | 51 perf. |
| Music in the Air Ziegfeld Theatre | 1951 | 56 perf. |
| Remains to Be Seen Morosco Theatre | 1951 | 199 perf. |
| Saint Joan Cort Theatre | 1951 | 140 perf. |
| The Fourposter Ethel Barrymore Theatre | 1951 | 632 perf. |
| The Number Biltmore Theatre | 1951 | 87 perf. |
| An Evening With Beatrice Lillie Booth Theatre | 1952 | 276 perf. |
| Bernardine Playhouse Theatre | 1952 | 157 perf. |
| Buttrio Square New Century Theatre | 1952 | 7 perf. |
| Dial "M" for Murder Plymouth Theatre | 1952 | 552 perf. |
| In Any Language Cort Theatre | 1952 | 45 perf. |
| My Darlin' Aida Winter Garden Theatre | 1952 | 89 perf. |
| The Gambler Lyceum Theatre | 1952 | 24 perf. |
| The Mikado Mark Hellinger Theatre | 1952 | 8 perf. |
| The Millionairess Shubert Theatre | 1952 | 83 perf. |
| The Pirates Of Penzance Mark Hellinger Theatre | 1952 | 8 perf. |
| The Sacred Flame President Theatre | 1952 | 24 perf. |
| The Time of the Cuckoo Empire Theatre | 1952 | 263 perf. |
| A Girl Can Tell Royale Theatre | 1953 | 60 perf. |
| Betty Hutton and Her All-Star International Show Palace Theatre | 1953 | run not recorded |
| Comedy in Music John Golden Theatre | 1953 | 849 perf. |
| End as a Man Vanderbilt Theatre | 1953 | 105 perf. |
| Gently Does It Playhouse Theatre | 1953 | 37 perf. |
| Late Love National Theatre | 1953 | 95 perf. |
| Sherlock Holmes New Century Theatre | 1953 | 3 perf. |