Also credited on2 works
The Wizard Of Oz
Greenwich Village Follies
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- Songs: “When My Baby Smiles at Me” (Billy Munro-Andrew Sterling); “I Want a Daddy who Will Rock Me to Sleep” (A. Baldwin Sloane-Arthur Swanstrom, John Murray Anderson); “(I’ll See You in) C-U-B-A” (Irving Berlin)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- 107 . Edgar Smith, lyrics, and A. Baldwin Sloane, music, “Heaven Will Protect the Working Girl (A Burlesque Ballad)” (New York: Charles K. Harris, 1909). Sheet Music Consortium, http://digital.library.ucla.edu/sheetmusic/ , accessed April 7, 2009. According to Gerald Bordman, this song, “the most famous song A. Baldwin Sloane ever compose…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- A. Baldwin Sloane, whom we just met replacing Paul Tietjens on The Wizard of Oz , was no longhair. Yet when he and Sydney Rosenfeld built The Mocking Bird (1902) around the old number that opera sopranos favored when asked to sing something “popular,” it was “a romantic comic opera.” True, “Listen To the Mocking Bird” no longer holds any…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.