Adrienne Barbeau

On stage 3 productions, 8 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once3 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.

In the literature8 passages

• Adrienne Barbeau, who in 1968 made her own Broadway debut in Fiddler, also started in the chorus. First an understudy for second daughter, Hodel, Barbeau later assumed the role.ebooks/Isenberg, Barbara/Tradition!_ The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical - Barbara Isenberg.txt
• Actress Adrienne Barbeau, who in February 1968 made her own Broadway debut in Fiddler , was similarly impressed. Barbeau also started in the chorus, understudying middle daughter Hodel. She went on to play Hodel eight months later, but before she did, she sat in the balcony for two weeks just watching the show. Her strongest memory: “Watc…ebooks/Isenberg, Barbara/Tradition!_ The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical - Barbara Isenberg.txt
• Many actresses had their Broadway debuts in Fiddler on the Roof, including (left to right) three of the women playing Tevye’s daughters: Adrienne Barbeau (Hodel), Bette Midler (Tzeitel), and Tanya Everett (Chava). Everett originated the role of Chava. Photofestebooks/Isenberg, Barbara/Tradition!_ The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical - Barbara Isenberg.txt
• That happened to me when I did the road company of Grease in ’73. They really tried to direct me into Adrienne Barbeau’s performance. She’s got a very specific face. She’s got very high cheekbones and she always looks like she’s got a little Mona Lisa smile. So she would do that after every line, and they wanted me to do that. It wasn’t c…ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
• Katie Hanley+2 Adrienne Barbeau James Canning Walter Bobbie Timothy Meyers Jim Borrellitheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
• Katie Hanley, Jim Borrelli, Walter Bobbie, Timoth Meyers, Garn Stephens, Adrienne Barbeau, Barr y Bostwick, James Canning, Marya Smalltheatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.