On stage 12 productions, 55 years
| 1959 | Only in America Cort Theatre · Original | 28 perf. |
| 1961 | Purlie Victorious Cort Theatre · Original · directed by Howard Da Silva | 261 perf. |
| 1964 | Cafe Crown Martin Beck Theatre · Revival · directed by Jerome Eskow | 3 perf. |
| 1964 | Fair Game for Lovers Cort Theatre · Original · directed by Paul Shyre | 8 perf. |
| 1964 | The Owl and the Pussycat Anta Playhouse · Original · directed by Arthur Storch | 427 perf. |
| 1966 | The Apple Tree Shubert Theatre · Original · directed by Mike Nichols | 463 perf. |
| 1992 | Jake's Women Neil Simon Theatre · Original · directed by Gene Saks | 245 perf. |
| 1998 | Art Royale Theatre · Original · directed by Matthew Warchus | 600 perf. |
| 2001 | QED Vivian Beaumont Theater · Original · directed by Gordon Davidson | 40 perf. |
| 2003 | The Play What I Wrote Lyceum Theatre · Original · directed by Kenneth Branagh | 89 perf. |
| 2005 | Glengarry Glen Ross Royale Theatre · Revival · directed by Joe Mantello | 137 perf. |
| 2014 | Love Letters Brooks Atkinson Theatre · Revival · directed by Gregory Mosher | 95 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.