On stage 9 productions, 32 years
| 1909 | The Happy Marriage Garrick Theatre · Original | 24 perf. |
| 1922 | Up the Ladder Playhouse Theatre · Original · directed by Lumsden Hare | 117 perf. |
| 1923 | The Nervous Wreck Sam H Harris Theatre · Original · directed by Addison Pitt | 279 perf. |
| 1925 | Twelve Miles Out Playhouse Theatre · Original · directed by Ira Hards | 188 perf. |
| 1927 | Off-Key Belmont Theatre · Original | 16 perf. |
| 1927 | Ten Per Cent George M Cohans Theatre · Original · directed by Thomas Jackson | 23 perf. |
| 1928 | Mirrors Forrest Theatre · Original | 13 perf. |
| 1928 | Whoopee New Amsterdam Theatre · Original · directed by William Anthony McGuire | 379 perf. |
| 1941 | Mr. and Mrs. North Belasco Theatre · Original | 163 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| James P Houston | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- 59 A stage adaptation of The Diary of Anne Frank , by Frances Goodrich and Albert Hackett, opened on Broadway on 5 October 1955 and ran for 717 performances.ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- FILM (Paramount 1944) : Cast: Ginger Rogers, Ray Milland, Warner Baxter, Jon Hall, Barry Sullivan, Mischa Auer. Screenplay by Frances Goodrich and Albert Hackett. Produced by B. G. DeSylva. Directed by Leisen. Deleted songs: “My Ship,” “This Is New,” most of the “Glamour Dream” and the “Wedding Dream.” [100 minutes]ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- MERLE DEBUSKEY: Lillian declined to write the script but suggested a couple of screenwriters, Frances Goodrich and Albert Hackett. Garson Kanin came on board as director.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
- In addition to the performers, there were other factors with potential for a quality production. Husband-and-wife screenwriters Albert Hackett and Frances Goodrich (The Thin Man, It’s a Wonderful Life, Father of the Bride) would pen the screenplay, which was based on a story by crime novelist Vera Caspary (Laura, A Letter to Three Wives)…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
- Merrick had a literal translation made of the three plays. He first approached Albert Hackett and Frances Goodrich to adapt them into a musical. Shumlin had produced and directed one of their plays, The Great Big Doorstep, starring Dorothy Gish and Louis Calhern, while Merrick worked for him. Later Bloomgarden would produce their adaptati…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- [>] The last-minute casting: David L. Goodrich, The Real Nick and Nora: Frances Goodrich and Albert Hackett, Writers of Stage and Screen Classics (Carbondale: Southern Illinois University Press, 2004), 194.ebooks/Wasson, Sam/Fosse - Sam Wasson.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.