On stage 3 productions, 19 years
| 1912 | The Truth Wagon Dalys Theatre · Original | 40 perf. |
| 1929 | The Silver Swan Martin Beck Theatre · Original · directed by Leroy J. Prinz | 21 perf. |
| 1931 | The Bellamy Trial 48th Street Theatre · Original | 16 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on8 works
A Connecticut Yankee
Hit The Deck!
The Little Show
Girl Crazy
Strike Up the Band
Chee-Chee
Present Arms
Spring Is Here
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- 103 . The Eternal Road by Franz Werfel, 10 January 1937, Alexander Leftwich Jr., Type-script, carbon copy, 129 pp., Revised Script, [Box 17] Department of Special Collections, Charles E. Young Research Library, University of California, Los Angeles.ebooks/Hinton, Stephen/Weill's Musical Theater_ Stages of Reform - Stephen Hinton.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any biography.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.