On stage 21 productions, 17 years
| 1917 | Miss 1917 Century Theatre · Original · directed by Ned Wayburn | 72 perf. |
| 1919 | Nothing But Love Lyric Theatre · Original · directed by Frank M. Stammers | 64 perf. |
| 1920 | Poor Little Ritz Girl Central Theatre · Original · directed by Lew Fields | 119 perf. |
| 1921 | Blue Eyes Casino Theatre · Original · directed by Leon Errol | 44 perf. |
| 1921 | The O'Brien Girl Liberty Theatre · Original · directed by Julian Mitchell | 164 perf. |
| 1922 | Ziegfeld Follies of 1922 New Amsterdam Theatre · Original · directed by Ned Wayburn | 424 perf. |
| 1923 | Ziegfeld Follies of 1923 [Summer Edition] New Amsterdam Theatre · Original · directed by Ned Wayburn | 96 perf. |
| 1924 | Marjorie Shubert Theatre · Original · directed by W. H. Gilmore | 144 perf. |
| 1925 | Tell Me More Gaiety Theatre · Original · directed by John Harwood | 32 perf. |
| 1925 | Tip-Toes Liberty Theatre · Original · directed by John Harwood | 194 perf. |
| 1926 | No Foolin' Globe Theatre · Original · directed by John Boyle | 108 perf. |
| 1927 | Talk About Girls Waldorf Theatre · Original · directed by John Harwood | 15 perf. |
| 1927 | Ziegfeld Follies of 1927 New Amsterdam Theatre · Original · directed by Sammy Lee | 167 perf. |
| 1928 | Three Cheers Globe Theatre · Original · directed by Dave Bennett | 210 perf. |
| 1929 | The Street Singer Shubert Theatre · Revival | 191 perf. |
| 1930 | Ripples New Amsterdam Theatre · Original · directed by William Holbrook | 55 perf. |
| 1932 | Face the Music New Amsterdam Theatre · Original · directed by Hassard Short, George S. Kaufman | 165 perf. |
| 1932 | Tell Her the Truth Cort Theatre · Original · directed by Henry Thomas | 11 perf. |
| 1932 | The Dubarry George M Cohans Theatre · Original · directed by Dorothea Berke | 87 perf. |
| 1934 | All the King's Horses Shubert Theatre · Original · directed by José Ruben | 120 perf. |
| 1934 | Music Hath Charms Majestic Theatre · Original · directed by Alex Yakovleff | 25 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Beth Milton | 4 productions |
| Alma Drange | 4 productions |
| Velma Connor | 3 productions |
| Thelma Connor | 3 productions |
| Olive Osborne | 3 productions |
| Mary Grace van Noy | 3 productions |
| Marie Marceline | 3 productions |
| Grant Simpson | 3 productions |
| Edwin Forsberg | 3 productions |
| Blossom Vreeland | 3 productions |
| Betty Wright | 3 productions |
| Anastasia Reilly | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Will Rogers, Gilda Gray, Gallagher & Shean, Evelyn Law, Andrew Tombes, Florence O’Denishawn, Lulu McConnell, Mary Eaton, Nervo & Knox, Mary Lewis, Alexander Gray, Jack Whitingebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Queenie Smith, Allen Kearns, Andrew Tombes, Harry Watson Jr., Jeanette MacDonald, Robert Halliday, Gertrude McDonaldebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Mary Boland, J. Harold Murray, Andrew Tombes, Hugh O’Connell, Katherine Carrington, David Burnsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- 43 . Atkinson’s review noted that “the droll Andrew Tombes” (in the role of Reisman) had the job of “impersonating a legendary maker of ‘Follies.’”ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- Introduced by Emma Haig (Bonnie) and Andrew Tombes (Billy). Added during the pre-Broadway tryout, replacing “I’m Somethin’ on Avenue A.” Replaced soon after the New York opening with “Once.” Introduced in London by Vera Lennox and Claude Hulbert.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- BABY! Published April 1925. Introduced by Emma Haig (Bonnie), Andrew Tombes (Billy), and ensemble. The “Baby!” music was originally joined with a Clifford Greytheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.