On stage 5 productions, 10 years
| 1992 | Guys and Dolls Martin Beck Theatre · Revival · directed by Jerry Zaks | 1,143 perf. |
| 1997 | Steel Pier Richard Rodgers Theatre · Original · directed by Scott Ellis | 76 perf. |
| 1999 | Fosse Broadhurst Theatre · Original · directed by Richard Maltby, Jr. Choreography: Bob Fosse, recreated by Chet Walker Co-director & co-choreographer: Ann Reinking | 1,093 perf. |
| 1999 | Saturday Night Fever Minskoff Theatre · Original · directed by Tony Edge | 501 perf. |
| 2002 | Man of La Mancha Martin Beck Theatre · Revival · directed by Jonathan Kent | 304 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once8 names
| Michael Paternostro | 3 productions |
| Sergio Trujillo | 2 productions |
| Scott Wise | 2 productions |
| John Macinnis | 2 productions |
| JoAnn M. Hunter | 2 productions |
| Gregory Mitchell | 2 productions |
| Ernie Sabella | 2 productions |
| Casey Nicholaw | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on6 works
In the Heights
Hamilton
Bandstand
9 to 5: The Musical
Bring It On: The Musical
The People in the Picture
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- Not this time. Miranda and Hudes, along with director Thomas Kail and choreographer Andy Blankenbuehler, made some cuts and changes. On Valentine’s Day, 2008, this valentine to uptown life began at the Richard Rodgers Theatre and officially opened on March 9 to strong reviews. Ben Brantley of the New York Times called Miranda “a singular…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- Miranda’s music and Andy Blankenbuehler’s choreography more than made up for the book’s deficiencies. The score, an invigorating blend of hip-hop, salsa, meringue, and soul, was vibrant and spirited. Using rap as a form of recitative was an ingenious development that helped make In the Heights popular with younger audiences. Similarly, th…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Bobby C.Paul Castree Joey.Sean Palmer Double J.Andy Blankenbuehler Gus.Richard H. Blake Montytheatre-pdfs/Theatre World/Theatre World, 2000-01 Season, v. 57 (Willis).txt
- Housekeeper Olga Merediz Barber Jamie Torcellini Guards Michael X. Martin, Jimmy Smagula Gypsy Dancers Lorin Latarro, Andy Blankenbuehler Prisoner Allyson Tuckertheatre-pdfs/Theatre World/Theatre World, 2002-03 Season, v. 59 (Willis).txt
- Choreography: Andy Blankenbuehler, Bring /t On: The Musical (Center Theatre Group at the Anmanson Theatre) Lead Performance: Sam Anderson, Blackbird (Rogue Machine at Theatre/ Theater; Anne Gee Byrd, A// My Sons (Matrix Theatre); L. Scott Caldwell, A Raisin in the Sun (Ebony Repertory Theatre at the Nate Holden Performing Arts Center): Ed…theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director, choreographer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.