Anthony Newley

On stage 3 productions, 9 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once2 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• The first half of the show featured solos by Anthony Newley and Bernadette Peters, and a couple of sketches. Then we came to the second half.ebooks/Burnett, Carol/This Time Together - Carol Burnett.txt
• Act One: “Who’s Who” (Company); “Adrift” (Company); “Tra La La”; “Where Has Tom Gone?” (Hugh Bryant, Anthony Newley, Annie Ross); “Cold Comfort” (Anthony Newley); “Lullaby”; “Broadminded”; “Waiting Room” (Company); “Bats” (Anthony Newley, Hugh Bryant, Gilbert Vernon); “Passacaglia” (Orchestra); “Boo to a Goose”; “Who Is It Always There?”…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “Telephone Tango” (Anthony Newley, Annie Ross, Gilbert Vernon); “Don’t Let Him Know You” (Hugh Bryant, Anthony Newley, Annie Ross); “Sea Song” (Hugh Bryant); “L’apres-midi de Gilbert”; “Present for Gilbert”; “Elisabeth”; “(New) Blue” (Annie Ross); “I’m the Boy (You Should Say ‘Yes’ To”) (Anthony Newley, Annie Ross); “Metamorphosi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Perhaps one sequence summed up the quirky and eccentric nature of the material. Walter Kerr in the New York Herald Tribune reported that as Anthony Newley began to sing a number, he suddenly noticed a package on the stage that was meant for someone else; but for all his efforts he just couldn’t concentrate on the song because of his obses…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Sunday, April 28, 1963. Anthony Newley enters the Hotel Americana’s Imperial Ballroom to see if he can win one, two, three, or four Tony Awards for his musical Stop the World—I Want to Get Off. In the seventeen-year history of the awards, no person has ever been eligible for so many different Tonys in a single season.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• While the Tonys didn’t recognize Anthony Newley as the 1962–1963 season’s MVP, we must. How many other artists have had a hand in the writing of the book and score of a Broadway musical, then starred in and directed it, too? The immediate answer is, of course, George M. Cohan; between 1901 (with The Governor’s Son ) and 1927 (via The Merr…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — composer, lyricist, book writer, director, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.