On stage 7 productions, 36 years
| 1947 | The Gentleman From Athens Mansfield Theatre · Original · directed by Sam Wanamaker | 7 perf. |
| 1950 | A Streetcar Named Desire City Center · Revival · directed by Elia Kazan | 24 perf. |
| 1950 | Borned in Texas Fulton Theatre · Original · directed by Howard Bay | 8 perf. |
| 1960 | Becket St James Theatre · Original · directed by Peter Glenville | 193 perf. |
| 1962 | Tchin-Tchin Plymouth Theatre · Original · directed by Peter Glenville | 222 perf. |
| 1968 | Zorba Imperial Theatre · Original · directed by Michael Cacoyannis | 305 perf. |
| 1983 | Zorba Broadway Theatre · Revival · directed by Michael Cacoyannis | 344 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Robert Westenberg | 2 productions |
| Lila Kedrova | 2 productions |
| Debbie Shapiro | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature8 passages
- 208 Unfortunately when the show was revived in the late Seventies with Anthony Quinn instead of Herschel Bernardi, that concept was deleted. So strongly did the composer and lyricist want to defend their concept, that they were tempted to enjoin the show from performing. Enjoining a show is an expensive and difficult manœuvre. You must po…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- In the fall of 1960 Merrick had even grander plans for TV. He planned to televise Becket, starring Laurence Olivier and Anthony Quinn, the very night it opened. The play would have been filmed beforehand. There would be live transmission of the audience arriving for the opening, after which the tape would be shown. The networks were repor…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- Tchin-Tchin, directed by Peter Glenville and starring Margaret Leighton and Anthony Quinn, was a series of scenes between a man and woman, both alcoholics, from two quite different walks of life. It was a play that aroused controversy in London, with estimations of its content ranging from a demonstration of "pure behavior" to "an exposur…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- Anthony Quinn told a reporter, "Tennessee Williams, one of the great talents of all time, has been treated like an assembly line butcher... Blame it on too many producers. One misses the day when L.B. Mayer or Darryl Zanuck made a decision and took the responsibility. I talked to the producers and they said they weren't closing the show.…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- KANDER: Working on the revival was terribly frustrating because there was a kind of allegiance between Anthony Quinn and Cacoyannis. It was hard to get through to them, and Cacoyannis had a difficult time communicating with the rest of the cast.ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
- KANDER: Anthony Quinn had a problem that would have been comic if it weren’t for the fact that you had to deal with it all the time. Anthony Quinn was rhythm-deaf the way some people are tone-deaf. But he had seen the movie so often that he really believed he could dance, and the fact is from the waist down that’s not Quinn in the movie.…ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.