On stage 9 productions, 11 years
| 1929 | Remote Control 48th Street Theatre · Original | 79 perf. |
| 1934 | Broadway Interlude Forrest Theatre · Original | 12 perf. |
| 1934 | Lost Horizons St James Theatre · Original | 56 perf. |
| 1934 | Queer People National Theatre · Original · directed by Melville Burke | 12 perf. |
| 1935 | A Woman of the Soil 49th Street Theatre · Original | 24 perf. |
| 1935 | If a Body Biltmore Theatre · Original | 45 perf. |
| 1935 | Night of January 16 Ambassador Theatre · Original · directed by John Hayden | 235 perf. |
| 1938 | What a Life Biltmore Theatre · Original | 538 perf. |
| 1940 | The Unconquered Biltmore Theatre · Original | 6 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| J Arthur Young | 3 productions |
| Ruth Lee | 2 productions |
| Lea Penman | 2 productions |
| Ellen Hall | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- 35 Actor and director Arthur Pierson (1901–75) was born in Norway but raised in Seattle and worked as both an actor and director on Broadway and in Hollywood. His appearances included playing Lorenzo in Hal Roach’s film The Devil’s Brother (1933) and Demetrius in Max Reinhardt’s famous production of A Midsummer Night’s Dream (1937) on Bro…ebooks/Unknown/Alan Jay Lerner_ A Lyricist's Letters - Unknown.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.