On stage 13 productions, 31 years
| 1951 | Out West of Eighth Ethel Barrymore Theatre · Original | 4 perf. |
| 1953 | Camino Real National Theatre · Original · directed by Elia Kazan | 60 perf. |
| 1953 | Oh, Men! Oh, Women! Henry Millers Theatre · Original | 382 perf. |
| 1953 | The Frogs of Spring Broadhurst Theatre · Original · directed by Burgess Meredith | 15 perf. |
| 1954 | The Flowering Peach Belasco Theatre · Original | 135 perf. |
| 1955 | Bus Stop Music Box Theatre · Original · directed by Harold Clurman | 478 perf. |
| 1960 | Period of Adjustment Helen Hayes Theatre · Original · directed by George Roy Hill | 132 perf. |
| 1963 | She Loves Me Eugene O'Neill Theatre · Original · directed by Harold Prince | 301 perf. |
| 1964 | The Three Sisters Morosco Theatre · Revival · directed by Lee Strasberg | 119 perf. |
| 1968 | Plaza Suite Plymouth Theatre · Original · directed by Mike Nichols | 1,097 perf. |
| 1976 | Best Friend Lyceum Theatre · Original · directed by Marty Jacobs | 8 perf. |
| 1976 | Me Jack, You Jill John Golden Theatre · Original · directed by Harold J. Kennedy | |
| 1982 | Whodunnit Biltmore Theatre · Original · directed by Michael Kahn | 157 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| Salem Ludwig | 2 productions |
| Kim Stanley | 2 productions |
| Fred Gwynne | 2 productions |
| Anthony Ross | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature7 passages
- Cast: Barbara Cook, Daniel Massey, Barbara Baxley, Jack Cassidy, Ludwig Donath, Nathaniel Frey, Ralph Williamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The only actor that Masteroff remembers as being difficult was Barbara Baxley. "She was famously difficult with every director. Prince handled her in the right way and she proved to be not too troublesome. As far as I could ever see, she seemed to be quite happy-to like Hal a lot and I think they had a good relationship.' 176 Harnick reme…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- A week later, Bill had switched gears but not goals: he dropped by the beach house to announce he was going to marry Barbara Baxley, the actress. "Does she know?" I asked.ebooks/Laurents, Arthur/Original Story By_ A Memoir of Broadway and Hollywood - Arthur Laurents.txt
- The Merchant of Venice, with Morris Carnovsky (foreground) as Shylock and Barbara Baxley (center) as Portia, 1967. [The American Shakespeare Festival Theatre, Stratford, Conn.]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 4 (O-S).txt
- Closed April 17, 1977 after limited engagement of 24 performances. Original production with Jack Cassidy, Barbara Cook, Barbara Baxley and Daniel Massey opened April 23, 1963 and played 301 performances.theatre-pdfs/Theatre World/Theatre World, 1976-77 Season, v. 33 (Willis).txt
- Gordon Chater George Hearn f Jerome Dempsey Ronald Drake Barbara Baxley Lauren Thompson John Glover Hermione Baddeley Fred Gwynne Jeffrey Alan Chandlertheatre-pdfs/Theatre World/Theatre World, 1982-83 Season, v. 39 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.