On stage 5 productions, 38 years
| 1959 | Much Ado About Nothing Lunt Fontanne Theatre · Revival · directed by John Gielgud | 58 perf. |
| 1981 | Camelot Winter Garden Theatre · Return-Engagement · directed by Frank Dunlop | 48 perf. |
| 1981 | Copperfield Anta Playhouse · Original · directed by Rob Iscove | 13 perf. |
| 1990 | Aspects of Love Broadhurst Theatre · Original · directed by Trevor Nunn | 377 perf. |
| 1997 | Jekyll & Hyde Plymouth Theatre · Original · directed by Robin Phillips | 1,543 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| Bruce Sherman | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- Cast: Robert Cuccioli, Linda Eder, Christine Noll, George Meritt, Robert Evan, Barrie Inghamebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The final line of the show, delivered by Barrie Ingham, was ‘Stop laughing, Venus you old bag, it’s not funny, it’s a bloody disaster!’ I think the word was bloody or something similar. This was met with howls of agreement from mainly the ‘Gallery First Nighters.’ In my naïveté I thought they were cheering and that we were a hit but no on…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
- On the Level Music by Ron Grainer; lyrics and book by Ronald Millar. Saville Theatre, 19 April 1966. PC: Barrie Ingham, Angela Richards, Gary Bond. MN: G.C.E.; You Can Take It; Strangely Attractive; Thermodynamically Yours; Chaos; A Very Good Friend; Peaceful; Bleep-Bleep; My Girl at the Dance; Let’s Make the Most of Now; Where the Action…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.