On stage 11 productions, 44 years
| 1902 | The Slaves of Russia American Theatre · Original | |
| 1914 | A Mix-up 39th Street Theatre · Original · directed by Marie Dressler | 88 perf. |
| 1917 | Mary's Ankle Bijou Theatre · Original | 80 perf. |
| 1928 | Brothers 48th Street Theatre · Original · directed by Arthur Hurley | 255 perf. |
| 1931 | A Church Mouse Playhouse Theatre · Original · directed by Melville Burke | 164 perf. |
| 1933 | Bad Manners Playhouse Theatre · Original · directed by William A. Brady | 8 perf. |
| 1939 | Margin for Error Plymouth Theatre · Original · directed by Otto Preminger | 264 perf. |
| 1940 | Return Engagement John Golden Theatre · Original · directed by Rowland Leigh | 8 perf. |
| 1941 | Lady in the Dark Alvin Theatre · Original · directed by Hassard Short, Moss Hart | 467 perf. |
| 1945 | The Wind Is Ninety Booth Theatre · Original | 108 perf. |
| 1946 | I Like It Here John Golden Theatre · Original · directed by Charles K. Freeman | 52 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Matt Briggs | 2 productions |
| Donald Randolph | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature5 passages
- Cast: Gertrude Lawrence, Victor Mature, Danny Kaye, Macdonald Carey, Bert Lytell, Evelyn Wyckoff, Margaret Dale, Ron Fieldebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Bert Lytell; and “Chu Chin Chow,” a spectacular musical tale of the East, with Tyrone Power, Florence Reed, Henry E. Dixey,theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Bert Lytell in “A Church Mouse,” Elmer Rice’s “‘The Left Bank’ and Philip Barry’s “Tomorrow and Tomorrow.” Other new plays that received attention weretheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- TUCKER, CHARLES COBURN, PEDRO DE CORDOBA, HAROLD MOULTON, BERT LYTELL, THOS. FINDLAY, PHILIP WOOD, JOHN LITEL, WILLIAM INGERSOLL, WHITFORD KANE in “THE FIRST LEGION”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- || SAM LEVENE, ELSPETH ERIC, LEIF ERICKSON, PHILIP COOLIDGE, BERT LYTELL, BRAMWELL FLETCHER in “MARGIN FOR ERROR”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.