On stage 8 productions, 11 years
| 1978 | King of Hearts Minskoff Theatre · Revival · directed by Ron Field | 48 perf. |
| 1978 | Working 46th Street Theatre · Original · directed by Stephen Schwartz | 25 perf. |
| 1979 | Evita Broadway Theatre · Original · directed by Harold Prince | 1,567 perf. |
| 1983 | Passion Longacre Theatre · Original · directed by Marshall W. Mason | 97 perf. |
| 1985 | Big River Eugene O'Neill Theatre · Original · directed by Des McAnuff | 1,005 perf. |
| 1987 | Roza Royale Theatre · Original · directed by Harold Prince | 12 perf. |
| 1989 | Café Crown Brooks Atkinson Theatre · Original · directed by Martin Charnin | 3 perf. |
| 1989 | Sweeney Todd: The Demon Barber of Fleet Street Circle In The Square Theatre · Revival · directed by Susan H. Schulman | 188 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once5 names
| Michael McCarty | 3 productions |
| Rex David Hays | 2 productions |
| Patti LuPone | 2 productions |
| Kecia Lewis-Evans | 2 productions |
| Al Decristo | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Rene Auberjonois, Reathal Bean, Susan Browning, Patti Cohenour, Gordon Connell, Bob Gunton, Daniel H. Jenkins, Ron Richardsonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- With a cast headed by Georgia Brown of Oliver! fame and Bob Gunton, who had played Juan Peron in Evita, Roza opened at the Center Stage in Baltimore in December 1986 and ran through January. The show was very well received by critics and audiences alike, who obviously thought well of the Becaud score and the book and lyrics by Julian More…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Clive Barnes of the New York Post noted that Prince, who had been chiefly associated in the past with spectacle, was attempting a more intimate chamber-like piece: "Here [Prince] shows his mettle no less effec tively in smaller measure." 139 Barnes went on to praise Georgia Brown's performance as Roza, and said she "is more than sweet, sh…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Evita and Roza co-star Bob Gunton said that Prince isn't usually around when the reviews come in. "He goes somewhere and when he gets the reviews], he digests them. He's also very direct about how he feels about them. He doesn't say, `Oh, they don't affect me' or `I don't care what they say.' He does care what they say, and he gets angry.…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Having had two major roles in Prince musicals, Bob Gunton has some valuable insights into the director's methods:ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Includes: “Pretty Little Picture” —Bob Gunton, Liz Callaway, Steven Jacob; “The House of Marcus Lycus” —George Hearn, Bob Gunton, Women; “Echo Song” —Liz Callaway, Steven Jacob; “There’s Something About a War” —Cris Groenendaal, Menebooks/Unknown/Four by Sondheim (Applause Musical Library) - Unknown.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.