On stage 5 productions, 20 years
| 1993 | Kiss of the Spider Woman Broadhurst Theatre · Original · directed by Harold Prince | 904 perf. |
| 1993 | Kiss Of The Spider Woman-the Musical Broadhurst Theatre · Original · directed by Harold Prince | 906 perf. |
| 1998 | Parade Vivian Beaumont Theater · Revival · directed by Harold Prince | 84 perf. |
| 2004 | King Lear Vivian Beaumont Theater · Revival · directed by Jonathan Miller | 33 perf. |
| 2013 | Romeo and Juliet Richard Rodgers Theatre · Revival · directed by David Leveaux | 93 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Herndon Lackey | 3 productions |
| Vincent D Elia | 2 productions |
| Vanessa Williams | 2 productions |
| Troy Myers | 2 productions |
| Robert Montano | 2 productions |
| Robert Dusold | 2 productions |
| Mimi Turque | 2 productions |
| Michael McCormick | 2 productions |
| Merle Louise | 2 productions |
| Maria Conchita Alonso | 2 productions |
| Kirsti Carnahan | 2 productions |
| John Norman Thomas | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- The most galvanic song had the factory girls sing that Leo was always trying to seduce them. In describing how Leo would say “Come Up to My Office,” Brent Carver suddenly became the evil man they were describing—a lecher who sang his song of seduction replete with ominous bass notes and sinuously deft dance steps. It wasn’t the real Leo a…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- Brent Carver as the Master of Ceremonies in the 1987Stratford ShakespeareFestival of Canada production (Michael Cooper/Stratford ShakespeareFestival Archives)ebooks/Garebian, Keith/Making of Cabaret, The - Keith Garebian.txt
- Cast: Chita Rivera, Brent Carver, Anthony Crivello, Merle Louise, Herndon Lackey, Kristi Carnahanebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The grim story of life in a prison cell in a South American police state unfolds the changing relationship between Molina (Brent Carver) a gay window dresser jailed on a morals charge and his heterosexual cellmate Valentin (Anthony Crivello), a revolutionary. The warden enlists Molina to get Valentin to reveal his fellow revolutionaries.…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- During the run Chita Rivera was replaced by Vanessa Williams and later by Maria Concita Alonso. Jeff Hyslop and later Howard McGillian, replaced Brent Carver, and Anthony Crivello was replaced by Brian Mitchell.ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Prince cast Brent Carver-whose distinguished twenty-year career in Canada spanned both classical and musical theatre-as Molina, and Anthony Crivello-who had appeared on Broadway in Les Miserables and as Che in Evita-as Valentin.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.