On stage 16 productions, 10 years
| 1924 | What Price Glory Plymouth Theatre · Original | 435 perf. |
| 1927 | Hit The Deck! Belasco Theatre · Original · directed by Alexander Leftwich | 352 perf. |
| 1928 | Rainbow Gallo Theatre · Original · directed by Oscar Hammerstein II | 29 perf. |
| 1928 | Ringside Broadhurst Theatre · Original | 37 perf. |
| 1929 | Queen Bee Belmont Theatre · Original · directed by Allan Dinehart | 21 perf. |
| 1930 | Up Pops the Devil Theatre Masque · Original · directed by Worthington Miner | 148 perf. |
| 1931 | Peter Flies High Gaiety Theatre · Original | 8 perf. |
| 1931 | Society Girl Booth Theatre · Original · directed by Stanley Logan | 13 perf. |
| 1932 | The Boy Friend Morosco Theatre · Original | 15 perf. |
| 1932 | The Inside Story National Theatre · Original · directed by A.H. Van Buren | 24 perf. |
| 1933 | Three and One Longacre Theatre · Original · directed by William Harris, Jr. | 77 perf. |
| 1933 | Three-Cornered Moon Cort Theatre · Original | 76 perf. |
| 1934 | Life Begins at 8:40 Winter Garden Theatre · Original · directed by John Murray Anderson | 237 perf. |
| 1934 | No Questions Asked Theatre Masque · Original · directed by Edward T. Goodman | 16 perf. |
| 1934 | The Milky Way Cort Theatre · Original · directed by William W. Schorr | 63 perf. |
| 1934 | The Perfumed Lady Ambassador Theatre · Original | 40 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once6 names
| Victor Young | 2 productions |
| Mary Carney | 2 productions |
| John Perkins | 2 productions |
| John Eldredge | 2 productions |
| Harriet Macgibbon | 2 productions |
| Ben Lackland | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature6 passages
- Cast: Louise Groody, Charles King, Stella Mayhew, Madeline Cameron, Brian Donlevy, Jack McCauleyebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Bert Lahr, Ray Bolger, Luella Gear, Frances Williams, Brian Donlevy, Dixie Dunbar, Earl Oxfordebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- C AST : Eddie Cantor, Ethel Merman (as Joyce Lennox), Sally Eilers, Harry Parke, William Frawley, Helen Lowell, Brian Donlevy, the Goldwyn Girlsebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
- Three and One, with Lillian Bond, Paul McGrath, Brian Donlevy, and John Eldredge. New York, Longacre Theatre, 1933. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox and Tilden Foundations]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 1 (A-C).txt
- Introduced by James MacColl (Rabelais), Brian Donlevy (De Maupassant), Ray Bolger (Boccaccio), and Bert Lahr (Balzac). Alternate titles: ““Rabelais” and *‘Rabelais, Detheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- BRIAN DONLEVY, 71, Insh-bom stage and film actor, died Apr. 5. 1972 of cancer in the Motion Picture Hospital. Madetheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.