On stage 4 productions, 12 years
| 1992 | Guys and Dolls Martin Beck Theatre · Revival · directed by Jerry Zaks | 1,143 perf. |
| 1994 | Beauty and the Beast Palace Theatre · Original · directed by Robert Jess Roth | 5,461 perf. |
| 1999 | Kiss Me, Kate Martin Beck Theatre · Revival · directed by Michael Blakemore | 881 perf. |
| 2004 | The Frogs Vivian Beaumont Theater · Original · directed by Susan Stroman | 92 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Vince Pesce | 3 productions |
| David Elder | 3 productions |
| Ron Holgate | 2 productions |
| Peter Bartlett | 2 productions |
| Nathan Lane | 2 productions |
| Nancy Lemenager | 2 productions |
| Michael Berresse | 2 productions |
| Michael Arnold | 2 productions |
| Leslie Castay | 2 productions |
| JoAnn M. Hunter | 2 productions |
| Jerome Vivona | 2 productions |
| Jay Brian Winnick | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- The musical was revived by Encores! at City Center on March 26, 1998, for five performances; the cast included Burke Moses (Li’l Abner), Alice Ripley (Daisy Mae), Dick Latessa (Pappy Yokum), Dana Ivey (Mammy Yokum), Lea DeLaria (Marryin’ Sam), and, reprising her role from the original production, Julie Newmar as Stupefyin’ Jones. The musi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Susan Egan, Terrence Mann, Burke Moses, Gary Beach, Beth Fowler, Tom Bosley, Heath Lamberts, Eleanor Glockner, Stacey Logan, Brian Press, Kenny Raskinebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- If it is at all possible for humans to resemble cartoon characters, the actors resemble their cartoon versions with some degree of success. Terrence Mann as the Beast, Susan Egan as Belle, Tom Bosley as her father, Beth Fowler as the teapot, Burke Moses as Gaston (who wants to win Belle), and Gary Beach as the candelabra all struggle thro…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Thomas Bruce, Leo Burmester, Santino Fontana, Sara Jean Ford, Burke Moses, Robert Oliver, Martin Vidnovicebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Top Right: John Cameron Mitchell as “Peter Pan” Top Left: Burke Moses, Jim Baker in “Cat on a Hot Tin Roof” T. Charles Erickson Photostheatre-pdfs/Theatre World/Theatre World, 1988-89 Season, v. 45 (Willis).txt
- Heather Ehlers, Robert Foxworth, Burke Moses, Mario Thomas in “...Virginia Wolf’theatre-pdfs/Theatre World/Theatre World, 1991-1992 season, v. 48 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.