On stage 8 productions, 29 years
| 1938 | The Boys from Syracuse Alvin Theatre · Original · directed by George Abbott | 235 perf. |
| 1940 | Heavenly Express National Theatre · Original · directed by Robert Lewis | 20 perf. |
| 1942 | This Is the Army Broadway Theatre · Original · directed by Ezra Stone | 113 perf. |
| 1944 | Sing Out, Sweet Land International Theatre · Original · directed by Leon Leonidoff | 102 perf. |
| 1949 | She Stoops to Conquer City Center · Revival · directed by Morton Da Costa | 16 perf. |
| 1954 | Show Boat City Center · Revival · directed by William Hammerstein | 15 perf. |
| 1955 | Cat on a Hot Tin Roof Morosco Theatre · Original · directed by Elia Kazan | 694 perf. |
| 1967 | Dr. Cook's Garden Belasco Theatre · Original · directed by George C. Scott | 8 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| Ezra Stone | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature6 passages
- Act One: “Cotton Blossom” (Ensemble); “Show Boat Parade and Ballyhoo” (Burl Ives, The Show Boat Troupe, and Townspeople); “Only Make Believe” (Robert Rounseville, Laurel Hurley); “Ol’ Man River” (Lawrence Winters, Stevedores); “Can’t Help Lovin’ Dat Man” (Helena Bliss, Helen Phillips, Laurel Hurley, Lawrence Winters, Quintet); “I Might Fa…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “At the Fair” (Sightseers, Barkers); “Why Do I Love You?” (Laurel Hurley, Robert Rounseville); Polka (Marjorie Gateson, Burl Ives); “Bill” (Helena Bliss); “Can’t Help Lovin’ Dat Man” (reprise) (Laurel Hurley); “Service and Scene Music, St. Agatha’s Convent” (Orchestra); “Only Make Believe” (reprise) (Robert Rounseville); “Goodbye…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- In Pocatello, we met up with Phil, and the two of us performed on the same bill with the folksinger Burl Ives. At the end of the week, the club owner skipped town and we never got paid. While we were driving back to L.A., the timing gear blew and our car broke down in the mountains outside of Reno. It was about one A.M ., cold, and we wer…ebooks/Dyke, Dick Van/My Lucky Life in and Out of Show Business_ A Memoir - Dick Van Dyke.txt
- Cast: Ezra Stone, Burl Ives, Gary Merrill, Julie Oshins, Robert Sidney, Alan Manson, Earl Oxford, Nelson Barclift, Stuart Churchill, Philip Truex, Irving Berlinebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- “I can name Paul Draper, Larry Adler, Myrna Loy, Hester Sondergaard, Sono Osato, Canada Lee, Kenneth Spencer, Richard Dyer-Bennett, Burl Ives, Josh White, Lena Horne, Hazel Scott, Jose Ferrer, Uta Hagen, Pete Seeger, Orson Welles, Lillian Hellman, Bela Lugosi, Herman Shumlin, Margo and others.”ebooks/Oja, Carol J_/Bernstein Meets Broadway_ Collaborative Art in a Time of War (Broadway Legacies) - Carol J. Oja.txt
- I love that film, for in it we wrote one of my favorite (though obscure) songs for Walt Disney, “On the Front Porch”. It was sung by Burl Ives, Hayley Mills and most of the beautiful cast. Of the hundreds of songs we wrote for Walt Disney, I really love that one.ebooks/Sherman, Robert B_/Moose - Robert B. Sherman.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.