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Burton Lane

Shows · Burton Lane

Composer 1912–1997

Burton Lane (born Levy; February 2, 1912 – January 5, 1997) was an American composer primarily known for his theatre and film scores. His most popular and successful works include the Broadway musicals Finian's Rainbow (1947) and On a Clear Day You Can See Forever (1965). Born in Manhattan, Lane was a talented performer and composer from childhood. His skill led to friendship with George Gershwin and the Gershwin family; Lane considered George to be his greatest influence. Lane began his career writing popular songs and music for Broadway shows in his teens. The Great Depression sent Lane to Hollywood, where he worked for Paramount Pictures and other studios for more than twenty years. He wr…

Also credited on6 works

Carmelina
Earl Carroll Vanities
Everything
Finian’s Rainbow
On A Clear Day You Can See Forever
Rainbow

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • 19 . The title Phinney’s Rainbow incorporated allusions to Finian’s Rainbow , a popular musical of 1947 with lyrics by E. Y. Harburg and music by Burton Lane and to the president of Williams at the time, James Phinney Baxter.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
  • A revised version of the musical was presented in Los Angeles and San Francisco in 1952 as Jollyanna , with additional music by William Friml and Burton Lane (all the new lyrics were by Harburg). Howard Bay returned to provide the décor, and Bil Baird’s Marionettes were in the production. Others in the cast were Bobby Clark (Bigelow), Mit…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Burton Lane’s richly melodic score and E. Y. Harburg’s alternately romantic and satiric lyrics gave Broadway one of its finest scores and solidified the period as one of the Broadway musical’s golden eras, with the openings of such classics as Oklahoma! , One Touch of Venus , Bloomer Girl , On the Town , Carousel , Annie Get Your Gun , St…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Rumor : “Composer’s composer” (according to composer Burton Lane) Frederick Loewe had a protégée named Anna Maria von Steiner who was a “world-famous pianist and [the] inspiration of [sic] My Fair Lady.”ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
  • Flahooley was originally called Toyland, and Harold Arlen, then Burton Lane was announced to write the music. Ultimately, E.Y. Harburg and Fred Saidy, who had already collaborated on Finian’s Rainbow and Bloomer Girl and would later write Jamaica together, wrote the book, directed, and coproduced with Cheryl Crawford, while Sammy Fain wro…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
  • But Schwartz’s defection to another show seems to have invoked Lerner’s ire, according to the composer’s son, Jonathan Schwartz. Years later, the latter explained how his father had been in need of money and could not afford to wait for the notoriously slow Lerner to get around to working on their projected stage musicals, hence he went t…ebooks/McHugh, Dominic/Loverly_The Life and Times of My Fair Lady (Broadway Legacies) - Dominic McHugh.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
  • Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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