Charles Blackwell

On stage 1 production

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on1 work

The Tap Dance Kid

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Given that Krieger, librettist Charles Blackwell, and lyricist Robert Lorick were adapting Louise Fitzhugh’s young adult novel Nobody’s Family Is Going to Change— in which Willie retained the role—why did they change the ending? Perhaps they felt that they needed a surprise, or at least a different plot twist from the one we’d been expect…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
• The stage manager for Jamaica was also black. Charles Blackwell first met Merrick when he was a dancer in Fanny. He found it odd that, during a break in rehearsal, Merrick sidled up to him and, as if uttering news that must be kept in confidence, outlined his advertising plans for the musical. He had found out that Blackwell had worked in…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Jerry Orbach vividly remembered arriving for his first rehearsal at an unused theater on lower Second Avenue. At the stage door he saw Charles Blackwell, the dancer from Fanny who now worked as a stage manager. Orbach greeted him heartily. Blackwell raised his finger to his mouth, shushed him and point ed inside toward the center of the s…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Chapter One: Material in this chapter is based on contemporary newspaper accounts, interviews with Charles Blackwell, Mark Bramble, Tammy Grimes, Fred Nathan, Helen Nickerson, and Jerry Orbach as well as the tape recorded interviews with the late Cliff Jahr assembled for his Sunday Times piece, which he was kind enough to lend me. The Tyr…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Chapter Nine: This chapter is based on contemporary newspaper accounts and interviews with Charles Blackwell, Charles Bowden, Madeline Gilford, Byron Goldman, Robert Lewis, Judd Mathison, Anne Kaufman Schneider and Joseph Stein.ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Opened Wednesday, October 20, 1971 (Moved to Ambassador on Nov. 17, 1971) Eugene V. Wolsk, Charles Blackwell, Emanuel Azenberg, Roberttheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.