On stage 7 productions, 10 years
| 1944 | Catherine Was Great Shubert Theatre · Original · directed by Roy Hargrave | 191 perf. |
| 1944 | Sing Out, Sweet Land International Theatre · Original · directed by Leon Leonidoff | 102 perf. |
| 1946 | The Iceman Cometh Martin Beck Theatre · Original · directed by Eddie Dowling | 136 perf. |
| 1948 | The Silver Whistle Biltmore Theatre · Original · directed by Paul Crabtree | 219 perf. |
| 1950 | As You Like It Cort Theatre · Revival · directed by Michael Benthall | 145 perf. |
| 1953 | Oklahoma! City Center · Revival · directed by Rouben Mamoulian | 40 perf. |
| 1954 | Witness for the Prosecution Henry Millers Theatre · Original · directed by Robert Lewis | 645 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Dayton Lummis | 2 productions |
| Burton Mallory | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
The Phantom of the Opera
Aspects of Love
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- THE PHANTOM OF THE OPERA (Songs by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe)ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- Cast : Mary Marlo (Aunt Eller), Ridge Bond (Curly), Florence Henderson (Laurey), Charles Hart (Cord Elam), Charles Scott (Fred), Charles Rule (Slim), Harris Hawkins (Will Parker), Alfred Cibelli Jr. (Jud Fry), Barbara Cook (Ado Annie Carnes), David Le Grant (Ali Hakim), Judy Rawlings (Gertie Cummings), Maggie Nelson (Ellen), Barbara Reism…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The Phantom of the Opera (1986, lyrics by Charles Hart, book by Richard Stilgoe, based on the novel by Gaston Leroux, film version 2004)ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
- Aspects of Love (1989, lyrics and book by Charles Hart and Don Black, after the novel by David Garnett)ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
- Memories are made of this. Charles Hart, lyricist of Aspects of Love , once suggested a song title to Lloyd Webber: ‘You Can’t Live On Memories’.ebooks/Steyn, Mark/Broadway Babies Say Goodnight_ Musicals Then and Now - Mark Steyn.txt
- ‘Andrew,’ Charles Hart once said to me, ‘changes lyricists the way other men change their underpants’ – a vivid image which accurately distils the relationship. Even more unusually, Lloyd Webber likes to change underpants in mid-stream. Whether working with Richard Stilgoe (Starlight and part of Phantom ) or Hart (who took over on Phantom…ebooks/Steyn, Mark/Broadway Babies Say Goodnight_ Musicals Then and Now - Mark Steyn.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.