Charles Nelson Reilly

On stage 6 productions, 20 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on2 works

How to Succeed in Business Without Really Trying
How to Succeed... (2011 Revival)

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• I was especially fond of my understudy, Charles Nelson Reilly. I hadn’t met anyone quite like him, but I took to him instantly. He was hysterically funny, clever, quick, and intelligent. I was never bored around him. On the first night of previews, it was raining and he came into my dressing room with a scarf around his head and purred, “…ebooks/Dyke, Dick Van/My Lucky Life in and Out of Show Business_ A Memoir - Dick Van Dyke.txt
• Charles Nelson Reilly got the meaty role of Bud Frump, Finch’s arch nemesis. We put him through an audition in which he was delightfully manic, singing, dancing, and giggling at his own mistakes. Since he, himself, was kind of cartoonish, he made a perfect cartoon villain come to life.ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
• Charles Nelson Reilly remembered that during the Philadelphia tryout, Burrows agonized over a word. He’d written it for Hedy LaRue, Biggley’s well-kept—and well-endowed—mistress (in the old-world sense of the word). When Hedy and her glorious figure arrived for her first day on the job, all the other executives ogled her—“and the first wo…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• Finally, Stop the World wins something. But it’s only a partial victory for Newley. Charles Nelson Reilly announces that the Best Featured Actress in a Musical is Anna Quayle. Certainly she benefitted from Newley and Bricusse’s concept that one actress would play all four women in Littlechap’s life: the British-born Evie, his wife; as wel…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• Four years later I got together with Feuer and Martin for a musical based on Elmer Rice’s 1945 hit Dream Girl . Skyscraper starred Julie Harris and Charles Nelson Reilly. The main problem was that Julie, one of the great actresses of our time, never really landed as a musical performer. Although the show was nominated for a Tony, it ran f…ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
• Charles Nelson Reilly was an established character actor with twenty-two off-Broadway credits, including Jerry Herman’s Nightcap and Parade and a revival of Lend an Ear , which earned him a “walk-on” in Bye Bye Birdie and the opportunity to understudy Dick Van Dyke and Paul Lynde. This led to a featured role as Bud Frump, the malevolent n…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.