Charlotte Jones

On stage 7 productions, 24 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once2 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

The Woman in White

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• The Woman in White (2004, lyrics by David Zippel, book by Charlotte Jones, ‘Freely adapted from the classic novel by Wilkie Collins’)ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
• starring Anthony Rober Marlyn Mason, and Brenda Vaccaro with Hiram Sherman, ree Hughes, James Congdon eee _ George Coe), Sammy Smith, Charlotte Jones, and Rex Everhart opened December 7, 1 967°theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
• GEORGE COESAMMY SMITH ADELINE KANN CHARLOTTE JONES EDSTEFFE JENNIFERDARLING ARTHURHUGHES saw SHERMAN MAX SHULMAN CAROLYN LEIGH ELMER BERNSTEIN ‘Seontoxomevapo enrySamalipe Sigstheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
• BUYING OUT by Lawrence Roman (World Premiere), with Irene Dailey, George Voskovec, Harold J. Stone, Harold Gould, Joanna Roos, Charlotte Jones, Sylvia Gassell, Nicolas Surovy, Paul Vincent, Lois Averytheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
• MAMA by Neal Du Brock and John Clifton (World Premiere), with Celeste Holm, Jill O'Hara, Wesley Addy, Michael Kermoyan, Pamela Saunders, Charlotte Jones, Lois Holmes, Manjane Maricle, Marilynn Scott, Bruce Detrick, Curtis Wheeler, Nelson Welch, Eva Grant, Leslie Barrett,theatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
• THE IMPORTANCE OF BEING EARNEST with Peter Blaxill. Terry Burgler, James Capwrale, John Colenback, Mary Gallagher, Charlotte Jones, Michaele Myers, Jeremiah Sullivan, Paula Wagnertheatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any biography.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — director, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.