On stage 23 productions, 60 years
| 1955 | Seventh Heaven ANTA Theatre · Revival · directed by John C. Wilson | 44 perf. |
| 1956 | Mr. Wonderful Broadway Theatre · Original · directed by Jack Donohue | 383 perf. |
| 1957 | West Side Story Winter Garden Theatre · Original · directed by Jerome Robbins | 732 perf. |
| 1960 | Bye Bye Birdie Martin Beck Theatre · Original · directed by Gower Champion | 607 perf. |
| 1964 | Bajour Shubert Theatre · Original · directed by Lawrence Kasha | 232 perf. |
| 1973 | Sondheim: A Musical Tribute Shubert Theatre · Original · directed by Burt Shevelove | |
| 1974 | Jule's Friends at the Palace Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
| 1975 | Chicago 46th Street Theatre · Revival · directed by Bob Fosse | 936 perf. |
| 1979 | V.I.P. Night on Broadway Shubert Theatre · Original · directed by Pat Birch | |
| 1981 | Bring Back Birdie Martin Beck Theatre · Original · directed by Joe Layton | 4 perf. |
| 1983 | Merlin Mark Hellinger Theatre · Original · directed by Christopher Chadman | 199 perf. |
| 1984 | The Rink Martin Beck · Original · directed by A. J. Antoon | 204 perf. |
| 1985 | Jerry's Girls St James Theatre · Original · directed by Larry Alford | 141 perf. |
| 1987 | Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
| 1993 | Kiss of the Spider Woman Broadhurst Theatre · Original · directed by Harold Prince | 904 perf. |
| 1993 | Kiss Of The Spider Woman-the Musical Broadhurst Theatre · Original · directed by Harold Prince | 906 perf. |
| 1996 | Angela Lansbury - A Celebration Majestic Theatre · Original · directed by Diana Baffa-Brill | 1 perf. |
| 2003 | Nine Eugene O'Neill Theatre · Revival · directed by David Leveaux | 283 perf. |
| 2005 | Chita Rivera: The Dancer's Life Gerald Schoenfeld Theatre · Original · directed by Graciela Daniele | 72 perf. |
| 2009 | Chance & Chemistry Minskoff Theatre · Original · directed by Christopher Gattelli | 1 perf. |
| 2011 | The Visit Ambassador Theatre · Revival · directed by Carl Andress | 1 perf. |
| 2012 | The Mystery of Edwin Drood Studio 54 · Revival · directed by Scott Ellis | 136 perf. |
| 2015 | The Visit Theatre not recorded · Revival · directed by John Doyle | 39 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Larry Kert | 5 productions |
| Phyllis Newman | 3 productions |
| Liza Minnelli | 3 productions |
| Kay Medford | 3 productions |
| Dan O Grady | 3 productions |
| Wayne Cilento | 2 productions |
| Vincent D Elia | 2 productions |
| Vanessa Williams | 2 productions |
| Troy Myers | 2 productions |
| Tracy Everitt | 2 productions |
| Spence Ford | 2 productions |
| Sally Neal | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- First performance: 19 August 1957, Washington, D.C., National Theatre, cast incl. Carol Lawrence (Maria), Chita Rivera (Anita), Larry Kert (Tony), Ken Le Roy (Bernardo), Mickey Calin (Riff), Art Smith (Doc); Jerome Robbins (concept and dir.), Max Goberman (cond.)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Studio cast (mainly): Ben Bagley’s Kurt Weill Revisited . Paula Lawrence (original cast), Arthur Siegel, Chita Rivera, Jo Sullivan. Painted Smiles PS 1375; reissued 1989 on Painted Smiles PSCD 108. Contents: “One Touch of Venus,” “How Much I Love You,” “Dr. Crippen,” “Very, Very, Very,” “Vive la différence” (cut), and “Love in a Mist” (cu…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Original cast (1957) : Larry Kert, Carol Lawrence, Chita Rivera, Max Goberman (conductor). Columbia OL 5230; reissued on Columbia S 32603. Missing: “Taunting.”ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Act One: “C’est la vie” (Robert Clary, Kurt Kasznar, Beatrice Arthur, Company); “Where Is That Someone for Me?” (Gloria DeHaven); “Camille, Collette, Fifi” (Chita Rivera, Patricia Hammerlee, Gerrianne Raphael); “Man with a Dream” (Ricardo Montalban, Company); “Remarkable Fellow” (Ricardo Montalban, Chita Rivera, Scott Merrill, Company); “…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “A Miss You Kiss” (Ricardo Montalban, Company); “Camille, Collette, Fifi” (Chita Rivera, Patricia Hammerlee, Gerrianne Raphael); “Chico’s Reverie” (“White and Gold Ballet”) (Company); “Love, Love, Love” (Gerrianne Raphael, Patricia Hammerlee, Chita Rivera, Jimmy White); “If It’s a Dream” (reprise) (Gloria DeHaven); “Love Sneaks U…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- But Frank Quinn in the Daily Mirror found the new musical “earthy, saucy, tuneful and flamboyant.” He noted that newcomer Chita Rivera was a “thrilling” dancer with a “flashy” and “bold” personality, and that she slinked “like a panther” and did a “howl of a routine” with a calypso-styled can-can. William Hawkins in the New York World-Tel…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.