Christopher Chadman

On stage 10 productions, 10 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on2 works

Guys and Dolls
Guys and Dolls (1992 Revival)

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Cast: Sandahl Bergman, Rene Ceballos, Christopher Chadman, Wayne Cilento, Vicki Frederick, Edward Love, Ann Reinking, Charles Wardebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• “Christopher Chadman, Candy Brown,” and Baughman, “they all got the big show that year, Chicago. Everyone wanted to work for Bob Fosse.” Wayne Cilento, who spent the months immediately after the workshop looking for and buying a new house, also auditioned for Fosse. “I had no idea A Chorus Line was going to be A Chorus Line,” he said. “I…ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• “Pam Blair had been doing the ‘Gregory Gardner’ part [after Christopher Chadman’s departure] so she kind of blocked me into where I had to go. They welcomed me. There was a lot of love there. Everyone was so happy to be doing it. I wasn’t able to afford to live on what they were paying me, but it wasn’t an issue. I knew it was going to be…ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• Though Stuart’s role, Gregory Gardner, was based on tapes made by dancer Christopher Chadman, Stuart said he soon influenced the writers to help him make it his own. “My whole monologues was Michel Stuart,” he said. “When I was fourteen I knew I was gay and I never had a problem with it.”ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• Reproducing the original dances down to the quickest twitch of the tiniest dancer in the farthest row, Fosse expert Christopher Chadman and Verdon kept 1985 looking like 1966. “Gwen had a photographic memory,” Ann Reinking said. “It was unreal. She could tell you all the cues. She knew everything.” She was a library. You’ll need to rest h…ebooks/Wasson, Sam/Fosse - Sam Wasson.txt
• Fatigue alternately softened and exasperated him. “God, I can’t do this anymore,” he said aloud one day, seemingly with feeling. Speaking with Christopher Chadman before the show’s LA opening, he conceded, “Well, I’m probably not going to be around that much longer anyway.” The Fosse of the 1970s would have delivered similar remarks with…ebooks/Wasson, Sam/Fosse - Sam Wasson.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.