Also credited on5 works
Hit The Deck!
June Days
Sally
Sunny Days
The Three Musketeers
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Still, where does composition end and producing begin? Who really wrote “Wild Rose”—Kern and his lyricist, Clifford Grey, or Ziegfeld and his notion that Marilyn must get an exhibition number with the chorus boys? “Look For the Silver Lining” and “Whip-Poor-Will” were the beauty of Sally/Marilyn; “Wild Rose” was her power: as the boys ado…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- The Three Musketeers (lyrics by P. G. Wodehouse and Clifford Grey, book by William Anthony McGuire) featured scenes from Alexandre Dumas’s novel of swashbuckling adventure. The score included such arresting numbers as ‘Ma Belle’, ‘One Kiss’, ‘My Dreams’, ‘My Sword and I’ and the heroic ‘March of the Musketeers’. The Queen’s ‘My Dreams’ is…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
- Others had travelled this route before him – Wodehouse most famously, but also Clifford Grey, Birmingham-born lyricist of ‘If You Were The Only Girl In The World’, introduced by George Robey in The Bing Boys Are Here (1916) and the British Tommy’s wartime favourite. When peace broke out, a log-jam of war-delayed Broadway imports flattened…ebooks/Steyn, Mark/Broadway Babies Say Goodnight_ Musicals Then and Now - Mark Steyn.txt
- Music by Jerome Kern; lyrics by Clifford Grey and others; book by Guy Bolton, based on an unproduced musical, The Little Thing , by P. G. Wodehouse; book revised by Frank Eyton and Richard Hearneebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
- Flows.” A spoof of Jerome Kern, P. G. Wodehouse, and Clifford Grey’s “The Schnitza-Kommisski” from Sallytheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- BABY! Published April 1925. Introduced by Emma Haig (Bonnie), Andrew Tombes (Billy), and ensemble. The “Baby!” music was originally joined with a Clifford Greytheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — lyricist, book writer, composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.