On stage 11 productions, 35 years
| 1956 | Candide Martin Beck Theatre · Revival · directed by Tyrone Guthrie | 73 perf. |
| 1956 | Sixth Finger in a Five Finger Glove Longacre Theatre · Original · directed by John Holden | 2 perf. |
| 1957 | Makropoulos Secret Phoenix Theatre · Revival | 33 perf. |
| 1958 | The Family Reunion Phoenix Theatre · Original · directed by Stuart Vaughan | 32 perf. |
| 1960 | Advise and Consent Cort Theatre · Original · directed by Franklin Schaffner | 212 perf. |
| 1963 | Hot Spot Majestic Theatre · Original | 43 perf. |
| 1968 | The Cuban Thing Henry Millers Theatre · Original | 1 perf. |
| 1971 | An Enemy of the People Vivian Beaumont Theater · Revival · directed by Jules Irving | 53 perf. |
| 1971 | Twigs Broadhurst Theatre · Original · directed by Michael Bennett | 289 perf. |
| 1973 | Uncle Vanya Circle In The Square Theatre · Revival | 64 perf. |
| 1991 | On Borrowed Time Circle In The Square Theatre · Revival · directed by George C. Scott | 101 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| Lillian Gish | 2 productions |
| Boris Aplon | 2 productions |
| Barnard Hughes | 2 productions |
| Alvin Beam | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- CONRAD BAIN, BARNARD HUGHES, GEORGE C. SCOTT, NICOL WILLIAMSON, CATHLEEN NESBITT, LILLIAN GISH, ELIZABETH WILSON, JULIE CHRISTIE in “UNCLE VANYA”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Conrad Bain, Barnard Hughes, George C. Scott, Nicol Williamson, Julie Christie, seated: Cathleen Nesbitt, Lillian Gish, Elizabeth Wilsontheatre-pdfs/Theatre World/Theatre World, 1973 74 Season, v. 30 (Willis).txt
- .Matthew Porac .George C. Scott .Teresa Wright .Nathan Lane .Alice Haining .Bette Henritze .Matt White Arnie Mazer, James Noah .Conrad Bain .George DiCenzo .Allen Williams .James Jamrog .Marilyntheatre-pdfs/Theatre World/Theatre World, 1991-1992 season, v. 48 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.