On stage 8 productions, 47 years
| 1924 | Andre Charlot’s Revue Of 1924 Times Square Theatre · Original · directed by Andre Charlot | 298 perf. |
| 1925 | Charlot Revue Selwyn Theatre · Original · directed by Jack Buchanan | 138 perf. |
| 1926 | Oh, Kay! Imperial Theatre · Original · directed by John Harwood | 256 perf. |
| 1927 | A Connecticut Yankee Vanderbilt Theatre · Original · directed by Alexander Leftwich | 418 perf. |
| 1931 | The Third Little Show Music Box Theatre · Original · directed by Alexander Leftwich | 136 perf. |
| 1934 | Music Hath Charms Majestic Theatre · Original · directed by Alex Yakovleff | 25 perf. |
| 1962 | Lord Pengo Royale Theatre · Original · directed by Vincent J. Donehue | 175 perf. |
| 1971 | The Incomparable Max Royale Theatre · Original · directed by Gerald Freedman | 23 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once8 names
| Gertrude Lawrence | 3 productions |
| Beatrice Lillie | 3 productions |
| Wyn Clare | 2 productions |
| Jill Williams | 2 productions |
| Ida Parkinson | 2 productions |
| Herbert Mundin | 2 productions |
| Eve Wynne | 2 productions |
| Betty Sinclair | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Beatrice Lillie, Gertrude Lawrence, Jack Buchanan, Douglas Furber, Herbert Mundin, Jessie Matthews, Constance Carpenterebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Gertrude Lawrence, Oscar Shaw, Victor Moore, Harland Dixon, Fairbanks Twins, Gerald Oliver Smith, Betty Compton, Constance Carpenterebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: William Gaxton, Constance Carpenter, Nana Bryant, June Cochrane, William Norris, Jack Thompsonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Jennie was beset by troubles. In Boston, Constance Carpenter, who played a friend of Jennie’s, was written out, and Carol Haney replaced Matt Mattox as choreographer, without taking credit. Schwartz sued Boston Globe critic Kevin Kelly when the latter wrote that the score “poaches on the melodies of other composers, from Rodgers and Hamme…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
- Dr William Cahan, Constance Carpenter, Rosalind Chatto, Dorothy Dickson, Daphne du Maurier, Marlene Filers, Charles Evans, Douglas Fairbanks Jnr, Milton Goldman, Morton Gottlieb, Michaeltheatre-pdfs/Gertrude Lawrence - Sheridan Morley.txt
- performance (as at so many others she was later to be) by her old friend and understudv from the Chariot revues Constance Carpenter, who thus became perhaps the first understudy in history to go on for a star even before the showtheatre-pdfs/Gertrude Lawrence - Sheridan Morley.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.