On stage 8 productions, 51 years
| 1928 | Treasure Girl Alvin Theatre · Original · directed by Bertram Harrison | 68 perf. |
| 1929 | The Little Show Music Box · Original · directed by Dwight Deere Wiman, Alexander Leftwich | 321 perf. |
| 1930 | This Man's Town Ritz Theatre · Original · directed by Lester Lonergan | 8 perf. |
| 1934 | Accent on Youth Plymouth Theatre · Original · directed by Benn W. Levy | 229 perf. |
| 1937 | Madame Bovary Broadhurst Theatre · Revival | 39 perf. |
| 1945 | One-Man Show Ethel Barrymore Theatre · Original | 36 perf. |
| 1960 | Rape of the Belt Martin Beck Theatre · Original · directed by Albert Marre | 9 perf. |
| 1979 | Wings Lyceum Theatre · Original · directed by John Madden | 113 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Peggy Conklin | 2 productions |
| Ernest Cossart | 2 productions |
| Clifton Webb | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.