Also credited on13 works
Sweet Charity
City of Angels
The Will Rogers Follies
Barnum
Little Me
Seesaw
I Love My Wife
On the Twentieth Century
Welcome to the Club
Wildcat
Fosse
On the Twentieth Century
Sweet Charity
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- But not every songwriter can be so cavalier. Cy Coleman who wrote what he thought was ‘a great show’, [an untitled bio-musical about Eleanor Roosevelt] felt he was faced with a terrible dilemma. As he states, ‘Everybody disliked the book, but the book writer didn’t want anybody coming in and changing anything. So the show could never be p…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- From where I sit there seem to be three clearly demarcated schools: (1) The Traditional Musical as practised by Kander and Ebb, Cy Coleman, Jerry Herman, Peter Stone, Marvin Hamlisch, Charles Strouse, Jule Styne. (2) The Intellectual Musical, a small school as led by guru Stephen Sondheim 230 (his only true disciple seems to be the bloodl…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- Music : Richard Adler, Harry Belafonte, Cy Coleman, Sammy Gallup, Sheldon Harnick, Bart Howard, Jerry Ross, John Rox, Henry Sullivan, and Charles Zwarebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Music : Irving Berlin, Ralph Blane, Jerry Bock, Cy Coleman, Buster Davis, Milton DeLugg, Marvin Fisher, Albert Hague, Richard Lewine, Hugh Martin, Alton Rinker, Sidney Shaw, and Jack Valebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The production included music by Cy Coleman and His Trio. The group was situated in one of the theatre’s boxes, and played music before the first act and during the evening’s two intermissions. Robert Coleman in the Daily Mirror noted the quartet “set the mood” for each act, and while their presence was at first “startling,” they “wore we…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The program noted that a recording of “Don’t Forget to Remember” (which was heard during the performance itself) was by Cy Coleman and His Trio.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — composer, lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.