Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature4 passages
- Lyrics : Chakraband (Bhumibol’s cousin), Bob Hilliard, Herb Magidson, Harold Rome, Dan Shapiro, and N. Tongyaiebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Ankles Aweigh was a reunion of sorts for lyricist Dan Shapiro and book writers Guy Bolton and Eddie Davis, all of whom had collaborated on the 1944 hit musical Follow the Girls . Perhaps Ankles Aweigh ’s Spud and Dinky were a subtle homage (and a subtle sequel) to the earlier musical’s sailor-characters Goofy, Spud, and Dinky.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- (*) “To Be or Not to Be (in Love)” (lyric by Ray Golden, Dan Shapiro, and Milton Pascal; music by Phil Charig) (choreography by Ludmilla Kiro) (Wardrobe Woman: Barbara Heller; Dancers: Joanne Larkin, Kelly Brown; Singers: Aileen Stanley Jr., Alec Davis); originally performed in the 1955 Broadway revue Catch a Star! ;ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Music by Phil Charig; lyrics by Dan Shapiro and Milton Pascal; book by Guy Bolton, Eddie Davis and Fred Thompsonebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.