Also credited on2 works
The Mulligan Guard Ball
Harrigan ‘n Hart
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- Finson, Jon W. (ed.), Edward Harrigan and David Braham: Collected Songs (Madison, 1997).ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
- enhanced by songs especially composed by David Braham, Harrigan's orchestra conductor and father-in-law. Harrigan and Hart had become partners in 1871 and remained so until 1884. Harrigan continued his writing, acting, and managing for a decade more, writing in aU about thirty-five plays and eighty to ninety short sketches. But if he had…theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 1 (A-C).txt
- HARRIGAN N HART Book. Michael Stewart: Music, Max Showalter; Lyrics. Peter Walker; Songs of the Edward Harrigan. David Braham; Based on material compiled by Nedda Harrigan Logan and "The Merry Partners" by E. J. Kahn. Jr.; Director. Joe Layton; Choreography. D. J. Giagni; Scenery David' .Mitchell; Costumes. Ann Hould-Ward; Lighting. Richa…theatre-pdfs/Theatre World/Theatre World, 1984-85 Season, v. 41 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.