On stage 8 productions, 47 years
| 1977 | The Shadow Box Morosco Theatre · Original · directed by Gordon Davidson | 315 perf. |
| 1979 | Loose Ends Circle In The Square Theatre · Revival · directed by Alan Schneider | 284 perf. |
| 1980 | Lunch Hour Ethel Barrymore Theatre · Original · directed by Mike Nichols | 262 perf. |
| 1988 | Speed-the-Plow Royale Theatre · Original · directed by Gregory Mosher | 279 perf. |
| 1998 | Getting and Spending Helen Hayes Theatre · Original · directed by John Tillinger | 41 perf. |
| 2008 | To Be Or Not To Be Samuel J Friedman Theatre · Original · directed by Casey Nicholaw | 40 perf. |
| 2014 | The Country House Samuel J Friedman Theatre · Original · directed by Daniel Sullivan | 61 perf. |
| 2024 | Cult of Love Hayes Theater · Original | 59 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.