Theatre Register

David Wayne

Shows · David Wayne

Actor 1914–1995 On stage 19391968

David Wayne (born Wayne James McMeekan; January 30, 1914 – February 9, 1995) was an American actor and singer, with a stage and screen career spanning over 50 years. He was a recipient of two Tony Awards, Best Featured Actor in a Musical for Finian's Rainbow and Best Actor in a Play for The Teahouse of the August Moon, with a third nomination for The Happy Time.

On stage 19 productions, 29 years

1939 The American Way Center Theatre · Return-Engagement 80 perf.
1940 The Scene of the Crime Fulton Theatre · Original · directed by Frank Merlin 12 perf.
1943 The Merry Widow Majestic Theatre · Revival · directed by Felix Brentano 322 perf.
1944 Peepshow Fulton Theatre · Original · directed by David Burton 28 perf.
1946 Park Avenue Shubert Theatre · Original · directed by Helen Tamiris 72 perf.
1947 Finian’s Rainbow 46th Street Theatre · Original · directed by Bretaigne Windust 725 perf.
1948 Mister Roberts Alvin Theatre · Original 1,157 perf.
1953 The Teahouse of the August Moon Martin Beck Theatre · Original · directed by Robert Lewis 1,027 perf.
1956 The Ponder Heart Music Box Theatre · Original · directed by Robert Douglas 149 perf.
1958 Say, Darling ANTA Theatre · Original · directed by Abe Burrows 332 perf.
1960 Send Me No Flowers Brooks Atkinson Theatre · Original · directed by James Dyas 40 perf.
1962 Venus at Large Morosco Theatre · Original · directed by Rod Amateau 4 perf.
1963 Too True to Be Good 54th Street Theatre · Revival · directed by Albert Marre 94 perf.
1964 After The Fall Anta Washington Square Theatre · Original · directed by Elia Kazan 208 perf.
1964 But For Whom Charlie Anta Washington Square Theatre · Original · directed by Elia Kazan 47 perf.
1964 Incident at Vichy Anta Washington Square Theatre · Original · directed by Hugh Southern 99 perf.
1964 Marco Millions Anta Washington Square Theatre · Revival · directed by José Quintero 49 perf.
1965 The Yearling Alvin Theatre · Original · directed by Lloyd Richards 3 perf.
1968 The Happy Time Broadway Theatre · Revival 286 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Stanley Beck 3 productions
Ralph Meeker 3 productions
Michael Strong 3 productions
James Greene 3 productions
Jack Waltzer 3 productions
Harold Scott 3 productions
Hal Holbrook 3 productions
David J Stewart 3 productions
Clinton Kimbrough 3 productions
Zohra Lampert 2 productions
Wana Allison 2 productions
Virginia Kaye 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Finian’s Rainbow

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Original Lincoln Center revival cast (1966) : Barbara Cook, Constance Towers, Stephen Douglass, David Wayne, William Warfield, Franz Allers (conductor). RCA LSO 1126.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
  • Cast : Gordon B. Clarke (Mr. Schneider), Constance Ford (Frankie Jordan), David Wayne (Jack Jordan), Jack Naughton (Photographer, Waiter), Jack Manning (Pilot Roy Peters), Robert Morse (Ted Snow), Eileen Letchworth (June), Horace McMahon (Schatzie Harris), Jerome Cowan (Richard Hackett), Vivian Blaine (Irene Lovelle), Johnny Desmond (Rudy…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act One: “Chief of Love” (Voice on Recording); “Try to Love Me” (Vivian Blaine); “It’s Doom” (Johnny Desmond); “The Husking Bee” (Johnny Desmond, David Wayne)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • John McClain in the New York Journal-American said the play had “enormous style and humor and lilt,” and David Wayne was “utterly believable” as the theatre novice (he also noted that Wayne stopped the show with “Something’s Always Happening on the River”); Richard Watts in the New York Post found Say, Darling “an enormously engaging and…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Gower conducted the remainder of the casting process in a similar way inclusive of producer, songwriters, and librettist. 33 Actor David Wayne, who had won Broadway renown as the leprechaun in Finian’s Rainbow (1947), was chosen to play Grandpère Alexandre Bonnard, the seventy-plus but still sassy patriarch who sported Maurice Chevalier-l…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
  • “A Certain Girl” and title song from The Happy Time. With Robert Goulet, David Wayne, and Mike Rupert. Narr. Robert Goulet. Dir. and chor. Gower Champion. Prod. David Merrick. 22nd Annual Tony Awards. NBC, WNBC, Shubert Theatre, New York, 21 Apr. 1968.ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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