On stage 8 productions, 14 years
| 1968 | Hair Biltmore Theatre · Original · directed by Tom O’Horgan | 1,750 perf. |
| 1971 | Inner City Ethel Barrymore Theatre · Original | 97 perf. |
| 1972 | Dude Broadway Theatre · Original · directed by Tom O'Horgan | 16 perf. |
| 1972 | The Selling of the President Shubert Theatre · Original · directed by Robert H. Livingston | 5 perf. |
| 1975 | The Night That Made America Famous Ethel Barrymore Theatre · Original · directed by Gene Frankel | 47 perf. |
| 1976 | Your Arms Too Short to Box With God Lyceum Theatre · Original · directed by Talley Beatty | 429 perf. |
| 1978 | The Best Little Whorehouse in Texas Entermedia Theatre · Original · directed by Peter Masterson & Tommy Tune | 1,584 perf. |
| 1982 | The Best Little Whorehouse in Texas Eugene Oneill Theatre · Return-Engagement · directed by Tommy Tune | 63 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Allan Nicholls | 3 productions |
| Valerie Leigh Bixler | 2 productions |
| Tom Cashin | 2 productions |
| Susann Fletcher | 2 productions |
| Salome Bey | 2 productions |
| Roger Berdahl | 2 productions |
| Patrick Hamilton | 2 productions |
| Merilee Magnuson | 2 productions |
| Meat Loaf | 2 productions |
| Leata Galloway | 2 productions |
| Larry Marshall | 2 productions |
| Karen Sutherland | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature5 passages
- Cast: Carlin Glynn, Henderson Forsythe, Delores Hall, Pamela Blair, Jay Garner, Clint Allmonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- DELORES HALL, HARRY CHAPIN, KELLY GARRETT in “THE NIGHT THAT MADE AMERICA FAMOUS”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- to Julie Harris (her fifth) in “The Belle of Amherst,” best supporting performers in a musical were Barry Bostwick in “The Robber Bridegroom” and Delores Hall in “Your Arms Too Short to Box with God,” and best supporting performers in a play were Trazana Beverley in “For Colored Girls Who Have Considered Suicide...” andtheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- produced by Universal Pictures (Stevie Phillips) starring Henderson Delores Halltheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
- ATRE WORLD, Vol. 28. t During the season the following apjseared in the cast: Herb Braha, Bart Braverman, Delores Hall. Judy Kahan. Jeanne Lange, Elizabeth Lathram, Bobby Lee, Andy Rohrer, Marley Sims, Howard L. Sponseller, Jr., William Thomas, Jr., Mark Baker, Enid Edelman, Paul Kreppel, Don Scardino, Debbie Weems, with alternates Carter…theatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.