On stage 5 productions, 47 years
| 1929 | Journey's End Henry Millers Theatre · Original · directed by James Whale | 485 perf. |
| 1931 | The Sex Fable Henry Millers Theatre · Original | 33 perf. |
| 1934 | The Shining Hour Booth Theatre · Original · directed by Raymond Massey | 121 perf. |
| 1935 | Jubilee Imperial Theatre · Original · directed by Hassard Short, Monty Woolley | 169 perf. |
| 1976 | Your Arms Too Short to Box With God Lyceum Theatre · Original · directed by Talley Beatty | 429 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
In the literature3 passages
- Cast: Mary Boland, June Knight, Melville Cooper, Charles Walters, Derek Williams, Mark Plant, Montgomery Clift, May Boley, Margaret Adamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- “Journey’s End” proved to be one of the most effective of war plays. It was given a fine production by a cast that included Leon Quartermaine, Derek Williams and Colin Keith-Johnston. “The Criminal Code” was also impressive. Arthur Byron played the lead, and in the cast was Russell Hardie who was making his first stage appearance. David B…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Judy Kelley (Percy), Patrick Flanagan (Salisbury), Derek Williams (Bishop of Carlisle), George Normantheatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.