On stage 6 productions, 33 years
| 1955 | Silk Stockings Imperial Theatre · Original · directed by Cy Feuer | 478 perf. |
| 1957 | Holiday for Lovers Longacre Theatre · Original | 100 perf. |
| 1958 | Goldilocks Lunt-Fontanne Theatre · Original · directed by Walter Kerr | 161 perf. |
| 1961 | 13 Daughters 54th Street Theatre · Original · directed by Billy Matthews | 28 perf. |
| 1967 | Henry, Sweet Henry Palace Theatre · Original · directed by George Roy Hill | 80 perf. |
| 1988 | Our Town Lyceum Theatre · Revival · directed by Gregory Mosher | 136 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| Lynne Broadbent | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature8 passages
- A 1954 summer stock production starred Pat Crowley (Hazel), Don Ameche (Wallace), Gene Lockhart (Doctor Downer), with Benay Venuta reprising her original role. The revival included “My Wild Imagination,” “Money Burns a Hole in My Pocket,” and “Make the People Cry.”ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Too Bad” (Henry Lascoe, Leon Belasco, David Opatoshu, Hotel Staff); “Paris Loves Lovers” (Don Ameche, Hildegarde Neff); “Stereophonic Sound” (Gretchen Wyler); “It’s a Chemical Reaction, That’s All” (Hildegarde Neff); “All of You” (Don Ameche); “Satin and Silk” (Gretchen Wyler); “Without Love” (Hildegarde Neff); “All of You” (rep…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Hail Bibinski” (Henry Lascoe, Leon Belasco, David Opatoshu, Win Mayo, Arthur Ulisse); “As on Through the Seasons We Sail” (Don Ameche, Hildegarde Neff); “Josephine” (Gretchen Wyler, Chorus); “Siberia” (Henry Lascoe, Leon Belasco, David Opatoshu); “Silk Stockings” (Don Ameche); “The Red Blues” (The Russians); Finale (Company)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : Elaine Stritch (Maggie Harris), Del Anderson (Clown, Deputy), Russell Nype (George Randolph Brown), Don Ameche (Max Grady), Pat Stanley (Lois Lee), Nathaniel Frey (Pete), Richard Armbruster (Andy), Gene Varrone (Max’s Assistant), Sam Greene (Max’s Assistant), Martin Wolfson (J. C.), Margaret Hamilton (Bessie), Beau Tilden (Deputy),…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Lazy Moon” (Company); “Give the Little Lady” (Elaine Stritch, Company); “Save a Kiss” (Russell Nype, Elaine Stritch); “No One’ll Ever Love You” (Elaine Stritch, Don Ameche); “Who’s Been Sitting in My Chair?” (Elaine Stritch); “Dance” (Donald Barton, Elaine Stritch); “There Never Was a Woman” (Don Ameche); “The Pussy Foot” (Pat S…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Set in the period when silent movies were made in the New York City area, Goldilocks focused on director Max Grady (Don Ameche) and his determination to film an epic to out-epic them all. To this end, he wields his contractual rights to have the unwilling actress Maggie Harris (Elaine Stritch) star in his picture. Much of the humor revolv…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.