Theatre Register

Donald McKayle

Shows · Donald McKayle

ChoreographerDirector 1930–2018 On stage 19501957

Donald McKayle (July 6, 1930 – April 6, 2018) was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the recipient of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners Raisin (…

On stage 2 productions, 7 years

1950 Bless You All Mark Hellinger Theatre · Original · directed by John C. Wilson 84 perf.
1957 Copper and Brass Martin Beck Theatre · Original · directed by Marc Daniels 36 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on5 works

Golden Boy
House of Flowers
Raisin
Sophisticated Ladies
West Side Story

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • The show “danced black,” too, for Golden Boy had hired a black choreographer: Donald McKayle, who did especially fine work when Joe’s family and friends urged him to remember his humble roots in the showstopping “Don’t Forget 127th Street.” (“The neighborhood is classy; we have rats as big as Lassie.”)ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
  • That was different. But I got to work with Donald McKayle, the great choreographer. He really devised some lovely stuff in that movie. I think it’s a divine movie. Kids love it and I am so glad I did it, I really am. My best number was cut, though. A very funny number with a broomstick. But the music was running too long. Later they wante…ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
  • 13 The original choreographer was African American Donald McKayle (1930–), responsible for landmark musicals such as Golden Boy (1964) and Raisin (1974). He also choreographed the Disney film Bedknobs and Broomsticks (1971).ebooks/Unknown/Alan Jay Lerner_ A Lyricist's Letters - Unknown.txt
  • [>] Fosse brought on Donald McKayle: Facts of the McKayle/Fosse ordeal obtained via interview notes with Roger Adams (May 25, 1960), Dorothy Fields (June 1, 1960), Albert Hague (June 1, 1960), Kazimir Kokich (June 6, 1960), Robert Linden (May 24, 1960), and David Shaw (May 25, 1960); notes can be found in LOC, box 46B.ebooks/Wasson, Sam/Fosse - Sam Wasson.txt
  • directed by Donald McKayle (replaced by we > choreographed by Donald McKayle produced by Cyma Rubintheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
  • show's structure—one number after another staged without plot excuse? Donald McKayle is credited as director, but the program calls the “entire production supervised by John Berry.” Thanks to a distorting sound system, the lyrics are unintelligible, but they are credited “mostly” to Davis along with the book and music. Did Davis think up…theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — choreographer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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