Theatre Register

Dorothy Donnelly

Shows · Dorothy Donnelly

LyricistBook WriterDirector 1880–1928 On stage 19011931

Dorothy Agnes Donnelly (January 28, 1876 – January 3, 1928) was an American actress, playwright, librettist, producer, and director. After a decade-long acting career that included several notable roles on Broadway, she turned to writing plays, musicals and operettas, including more than a dozen on Broadway including several long-running successes. Her most famous libretto was The Student Prince (1924), in collaboration with composer Sigmund Romberg.

On stage 21 productions, 30 years

1901 Nell Gwyn Murray Hill Theatre · Original
1901 New England Folks Haverlys 14th Street Theatre · Original 64 perf.
1902 Soldiers of Fortune Savoy Theatre · Original 88 perf.
1903 Candida Princess Theatre · Original 133 perf.
1904 The Man of Destiny Vaudeville Theatre · Revival 48 perf.
1904 The Man of Destiny / How He Lied to Her Husband Berkeley Lyceum Theatre · Revival 8 perf.
1905 Friquet Savoy Theatre · Original · directed by William Seymour 23 perf.
1905 Mrs. Battle's Bath Hoyts Theatre · Original 8 perf.
1905 The Proud Laird Manhattan Theatre · Original 7 perf.
1905 When We Dead Awake Knickerbocker Theatre · Original 27 perf.
1906 The Little Gray Lady Garrick Theatre · Original 32 perf.
1907 The Movers Hackett Theatre · Original 23 perf.
1909 Disengaged Hudson Theatre · Original · directed by Fritz Williams 1 perf.
1910 Madame X Lyric Theatre · Return-Engagement · directed by George Marion
1914 A Woman Killed with Kindness / Granny Maumee Lyceum Theatre · Original 1 perf.
1914 Maria Rosa 39th Street Theatre · Original 48 perf.
1914 The Song of Songs Eltinge 42nd Street Theatre · Original 191 perf.
1915 Candida Garrick Theatre · Revival
1930 Girl Crazy Alvin Theatre · Original · directed by Alexander Leftwich 272 perf.
1931 Of Thee I Sing Music Box · Original · directed by George S. Kaufman 441 perf.
1931 Ziegfeld Follies of 1931 Ziegfeld Theatre · Original · directed by Edward Clarke Lilley 165 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

W J Ferguson 2 productions
W H Denny 2 productions
Vivian Porter 2 productions
Virginia Franck 2 productions
Selene Johnson 2 productions
Mary Mascher 2 productions
Mary Carroll 2 productions
Lillian Lorray 2 productions
Lawrence Eddinger 2 productions
Jack Fago 2 productions
Hazzard Newberry 2 productions
Frank Losee 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on3 works

Blossom Time
Poppy
The Student Prince In Heidelberg

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Three months to the day after the premiere of Rose Marie , Romberg’s The Student Prince (book and lyrics by Dorothy Donnelly), appeared on Broadway and ran for a decade record of 608 performances. In the musical version of Wilhelm Meyer-Foerster’s play Alt Heidelberg (Old Heidelberg), Karl Franz, prince of mythical Karlsberg, is in love w…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
  • The components of the plot are not startlingly original. More than one operetta had brought down the curtain on a sad ending; Dorothy Donnelly and Romberg had done it in The Student Prince , refusing to give its lovers a blissful outcome. The death of Sunny River ’s hero was another sadness for the audience to deal with, and one of its nu…ebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
  • Music by Sigmund Romberg; book and lyrics by Dorothy Donnelly, based on Rudolf Bleichman’s play Old Heidelbergebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
  • professional production with Dorothy Donnelly in the title role and Arnold Daly as Marchbanks. Tyrone Power was in “Ulysses” with Rose Coghlan, an illustrious veteran. Joseph Santley, at thetheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
  • with Marie Doro in “Clarice,” Ellis Jeffreys and Frank Worthing in “The Fascinating Mr. VanderVeldt Dorothy Donnelly with Julia Dean in “The Little Gray Lady,” Francis Wilson in “The Mountain Climbers,” William H. Crane in “The Price of Money,” Jessie Millward with Richard Bennett and Doris Keane in “Thetheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
  • WILLIAM ELLIOTT, DOROTHY DONNELLY, ROBERT P. GIBBS, ROBERT DROUET, L. ROGERS LYTTON in ““MADAME X”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — lyricist, book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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