On stage 11 productions, 13 years
| 1919 | Irene Vanderbilt Theatre · Original · directed by Edward Royce | 670 perf. |
| 1924 | Paradise Alley Casino Theatre · Original · directed by Jack Mason | 64 perf. |
| 1924 | The Desert Flower Longacre Theatre · Revival | 31 perf. |
| 1925 | Kosher Kitty Kelly Times Square Theatre · Original · directed by A.H. Van Buren | 166 perf. |
| 1925 | The Devil Within Hudson Theatre · Original | 24 perf. |
| 1926 | The Judge's Husband 49th Street Theatre · Original · directed by Thomas Coffin Cooke | 120 perf. |
| 1927 | Manhattan Mary Apollo Theatre · Original | 264 perf. |
| 1929 | First Mortgage Broadhurst Theatre · Original · directed by José Ruben | 4 perf. |
| 1929 | Whirlpool Biltmore Theatre · Original · directed by Edwin H. Morse | 3 perf. |
| 1932 | Dinner at Eight Music Box Theatre · Original · directed by Robert B. Sinclair | 232 perf. |
| 1932 | The Warrior's Husband Morosco Theatre · Revival · directed by Burk Symon | 83 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Helen Shipman | 2 productions |
| Adele Smith | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.