On stage 10 productions, 47 years
| 1936 | Brother Rat Biltmore Theatre · Original | 577 perf. |
| 1936 | O Evening Star Empire Theatre · Original · directed by Leontine Sagan | 5 perf. |
| 1937 | Room Service Cort Theatre · Original | 500 perf. |
| 1938 | The Boys from Syracuse Alvin Theatre · Original · directed by George Abbott | 235 perf. |
| 1949 | Miss Liberty Imperial Theatre · Original · directed by Moss Hart | 308 perf. |
| 1952 | The Seven Year Itch Fulton Theatre · Original · directed by John Gerstad | 1,141 perf. |
| 1957 | The Music Man Majestic Theatre · Original · directed by Morton DaCosta | 1,375 perf. |
| 1958 | Say, Darling ANTA Theatre · Original · directed by Abe Burrows | 332 perf. |
| 1973 | No Hard Feelings Martin Beck Theatre · Original · directed by Abe Burrows | 1 perf. |
| 1983 | You Can't Take It With You Plymouth Theatre · Revival · directed by Ellis Rabb | 312 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once5 names
| Teddy Hart | 2 productions |
| Robert Howard | 2 productions |
| Ezra Stone | 2 productions |
| Clifford Dunstan | 2 productions |
| Carroll Ashburn | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- 25 Eddie Albert played Reuben in the original production of Blitzstein's Reuben Reuben .ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- FILM (Warner Bros. 1939) : Cast: Vera Zorina, Eddie Albert. Musical numbers: “Princesse Zenobia” (ballet), “Slaughter on Tenth Avenue” (ballet). [93 minutes]ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Act One: “Thank You” (Eddie Albert); “Never Get Lost” (Eddie Albert, Anita Darian, Emile Renan, Karen Anders); “Tell It to Bart” (G. Wood, William Pierson, Al Checco, Charles Welch); “It’s in the Cards” (George Gaynes); “Shave and a Haircut” (Eddie Albert); “Song of the Arrow” (Evelyn Lear); “Cop’s Lament” (Dean Dittman); “Such a Little W…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Moment of Love” (Singing Ensemble); “Ballet” (Dancing Ensemble); “There Goes My Love” (Eddie Albert, Evelyn Lear); “Be with Me” (Eddie Albert); “Mother of the Bridegroom” (Evelyn Lear); “Upstairsy” (Kaye Ballard); “Musky and Whiskey” (William Pierson, Dean Dittman); “Reuben Talks” (Eddie Albert, Company); “We Got a Pact” (George…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Like Damn Yankees , the musical utilized the Faust theme in its depiction of Reuben (Eddie Albert) who suffers from aphonia (a condition that prevents speech when someone is overly excited) and wanders through the night streets of New York in search of truth, meaning, self-identity, communication, and other abstractions, all the while int…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Eddie Albert, Allyn Ann McLerie, Mary McCarty, Charles Dingle, Philip Bourneuf, Ethel Griffies, Herbert Berghof, Tommy Rail, Janice Rule, Maria Karnilova, Dody Goodmanebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.