On stage 13 productions, 15 years
| 1917 | Oh, Boy! Princess Theatre · Original · directed by Edward Royce, Robert Milton | 463 perf. |
| 1919 | The Rose of China Lyric Theatre · Original · directed by Robert Milton | 47 perf. |
| 1920 | My Golden Girl Nora Bayes Theatre · Original · directed by J. Clifford Brooke | 105 perf. |
| 1920 | The Half Moon Liberty Theatre · Original · directed by Fred G. Latham | 48 perf. |
| 1921 | Her Salary Man Cort Theatre · Original · directed by Harry Andrews | 32 perf. |
| 1921 | Wait 'Til We're Married Playhouse Theatre · Original · directed by John McKee | |
| 1922 | Wild Oats Lane Broadhurst Theatre · Original · directed by Lillian Trimble Bradley | 13 perf. |
| 1923 | Icebound Sam H Harris Theatre · Original · directed by Sam Forrest | 171 perf. |
| 1924 | In His Arms Fulton Theatre · Original · directed by Guthrie McClintic | 40 perf. |
| 1925 | Cradle Snatchers Music Box Theatre · Original · directed by Sam Forrest | 478 perf. |
| 1925 | Isabel Empire Theatre · Original · directed by Frank Reicher | 31 perf. |
| 1927 | Show Boat Ziegfeld Theatre · Original · directed by Zeke Colvan | 572 perf. |
| 1932 | Show Boat Casino Theatre · Revival | 180 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Thomas Gunn | 3 productions |
| Thomas E Jackson | 2 productions |
| Tess Gardella | 2 productions |
| Tana Kamp | 2 productions |
| Sammy White | 2 productions |
| Rose Mariella | 2 productions |
| Phil Sheridan | 2 productions |
| Norma Terris | 2 productions |
| Marion Coakley | 2 productions |
| Marie Carroll | 2 productions |
| Margaret Lawrence | 2 productions |
| Laura Clairon | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature5 passages
- Cast: Marie Carroll, Tom Powers, Anna Wheaton, Hal Forde, Edna May Oliver, Marion Davies, Justine Johnstone, Dorothy Dickson & Carl Hysonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Captain Andy (star comic Charles Winninger) and his wife, Parthy Ann (Edna May Oliver, a specialist in sour beldame roles).ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- a Princess Theatre musical with Anna Wheaton, Tom Powers, Edna May Oliver, Hal Forde, Marion Davies, Justine Johnstone ’ ‘ . . Carroll. sicals F runs werre longy runs which; had Other— musicals and Marie » Carroll.theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- ble. The reprise for Edna May Oliver (Mrs. Draper) and Herbert Corthell (Fletcher) was dropped during rehearsals. Alternate title: “Seventeen and Twenty-One.”theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- HOW ABOUT A MAN2 Introduced by Herbert Corthell (Fletcher), Lew Hearn (Holmes), and Edna May Oliver (Mrs. Draper). See also “How About a Boy?,”’ pages 156-57, in the 1930 revision of Strike Up the Band.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.