On stage 7 productions, 5 years
| 1957 | Measure for Measure Phoenix Theatre · Original · directed by John Houseman | 32 perf. |
| 1959 | Lysistrata Phoenix Theatre · Revival · directed by Jean Gascon | 24 perf. |
| 1960 | Face of a Hero Eugene Oneill Theatre · Original · directed by Alexander Mackendrick | 36 perf. |
| 1960 | Henry IV, Part I Phoenix Theatre · Revival · directed by Stuart Vaughan | 65 perf. |
| 1960 | Henry IV, Part II Phoenix Theatre · Revival · directed by Stuart Vaughan | 31 perf. |
| 1960 | Peer Gynt Phoenix Theatre · Revival · directed by Stuart Vaughan | 32 perf. |
| 1962 | Romulus Music Box Theatre · Original · directed by Joseph Anthony | 69 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Thomas Bellin | 4 productions |
| Rex Everhart | 4 productions |
| Ray Reinhardt | 4 productions |
| Patrick Hines | 4 productions |
| Juliet Randall | 4 productions |
| John Heffernan | 4 productions |
| J D Cannon | 4 productions |
| Gerry Jedd | 4 productions |
| Elliott Sullivan | 4 productions |
| Albert Quinton | 4 productions |
| Patricia Falkenhain | 3 productions |
| Nicholas Kepros | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Edwin Sherin became famous in the 1990s as the executive producer of TV’s Law & Order. But more than two decades before, when he was foundering in Detroit as the director of Seesaw, Michael Bennett had to step in and lay down the law and provide the order.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- That was the first decision made by new director-choreographer Michael Bennett, who respectively took over for Edwin Sherin and Grover Dale—and, for that matter book writer Michael Stewart. Although Bennett didn’t do much actual writing, he wasn’t above taking credit for the book.ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- by Edwin Sherin, opened in Knoxville at the University of Tennessee's Clarence Brown Theater on August 6. Two nights later Marytheatre-pdfs/Mary Martin-Broadway Legend (Ronald L. Davis).txt
- Do You Turn Somersaults'? (1978), an Americanized version of a play by Aleksei Arbuzov, directed by Edwin Sherin, costarringtheatre-pdfs/Mary Martin-Broadway Legend (Ronald L. Davis).txt
- directed by Michael Bennett (replacing Edwin Sherin) choreographed by Michael Bennett (with “associate choreographers” Bob Avian and Tommy Tune; replacing Grover Dale, whotheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
- AN EVENING WITH RICHARD NIXON AND... By Gore Vidal; Director, Edwin Sherin; Scenery, William Ritman; Costumes, Joseph G. Aulisi; Lighting, H. R. PoinO Bradovich; Masks, Jane Stem; VisuMarjorie Morris; Music arranged and conducted by Charles Gross; Sound, Jack Shearing; Projection Consultant, William Batchelder; Production Supervisor, Mich…theatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.