On stage 6 productions, 32 years
| 1944 | The Maid as Mistress / The Secret of Suzanne Alvin Theatre · Revival | 2 perf. |
| 1948 | The Rape of Lucretia Ziegfeld Theatre · Original · directed by Agnes de Mille | 23 perf. |
| 1959 | Happy Town 54th Street Theatre · Original · directed by Allan A. Buckhantz | 5 perf. |
| 1969 | Canterbury Tales Eugene Oneill Theatre · Original · directed by Sammy Bayes | 121 perf. |
| 1970 | Cry For Us All Broadhurst Theatre · Original · directed by Albert Marre | 9 perf. |
| 1976 | 1600 Pennsylvania Avenue Mark Hellinger · Original | 7 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Reid Shelton | 2 productions |
| Brenda Lewis | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.