On stage 2 productions, 2 years
| 1984 | Oliver! Mark Hellinger Theatre · Revival · directed by Peter Coe | 17 perf. |
| 1986 | Me And My Girl Marquis Theatre · Original · directed by Mike Ockrent | 1,412 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Eleanor Glockner | 2 productions |
| Barbara Moroz | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
The New Moon
Wish You Were Here
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature6 passages
- The London version opened on October 10, 1953, at the London Casino for 282 performances with Bruce Trent (Chick), Elizabeth Larner (Teddy), and Christopher Hewett (Pinky); others in the cast were Dickie Henderson, Joe Robinson, and Jill Ireland. The choreography was re-created by Richard France, who also staged the ensemble numbers (he h…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- As I told your office, I am negotiating for Elizabeth Larner 113 to follow Anne Rogers in November in the National Company. Rogers has definitely refused to continue. Not having heard from your office, I assume this is okay with you, but if for any reason it is not, please let me know at once.ebooks/Unknown/Alan Jay Lerner_ A Lyricist's Letters - Unknown.txt
- 113 Elizabeth Larner (1931–) is a British actress and singer who appeared in numerous important original British productions of Broadway musicals, including Kiss Me, Kate, Camelot , and Kismet . She also appeared in the TV shows The Two Ronnies and Up Pompeii!ebooks/Unknown/Alan Jay Lerner_ A Lyricist's Letters - Unknown.txt
- The casting of Jack Hylton’s management didn’t help. The leading ladies, Shani Wallis and Elizabeth Larner, were from the Hylton stable, proficient but out of their natural milieu. As romantic male lead Bruce Trent was respectably stolid, and entrusted with the show’s repetitive title song. Today, the show’s comedy seems tiresome, althoug…ebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
- PC: King Arthur : Laurence Harvey; Guenevere : Elizabeth Larner; Sir Lancelot : Barry Kent; Merlyn : Miles Malleson; Morgan LeFay : Moyra Fraser; Mordred : Nicky Henson; King Pellinore : Cardew Robinson; Sir Lionel : Raymond Edwards; Sir Dinadan : Victor Flattery; Nimue : Josephine Gordonebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
- PC: Teddy Stern : Elizabeth Larner; Chick Miller : Bruce Trent; Fay Tomkin : Shani Wallis; Dickie Fletcher : Dickie Henderson Jnr; Pinky Harris : Christopher Hewett; Harry ‘Muscles’ Green : Joe (Tiger) Robinson; Lou Kandel : Mark Bakerebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.