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Emmerich Kalman

Shows · Emmerich Kalman

Composer 1882–1953

Emmerich Kálmán (Hungarian: Kálmán Imre [ˈkaːlmaːn ˈimrɛ]; 24 October 1882 – 30 October 1953) was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are Die Csárdásfürstin (1915) and Gräfin Mariza (1924). Influences on his compositional style include Hungarian folk music (such as the csárdás), the Viennese style of precursors such as Johann Strauss II and Franz Lehár, and, in his later works, American jazz. As a result of the Anschluss, Kálmán and his family fled to Paris and then to the United States. He eventually returned to Europe in 1949 and died in Paris in 1953.

Also credited on3 works

Countess Maritza
Golden Dawn
Marinka

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature1 passages

  • of his height, though he called the built-up heels in his shoes "the two-inch liars." After he and Dick separated, about a year before he died, I was to do Miss Underground, which Larry was working on with Paul Gallico and Emmerich Kalman, a famous European composer. The story was very interest¬ ing, about the French underground, and I th…theatre-pdfs/Thou Swell Thou Witty-The Life and Lyrics of Lorenz Hart - Hart, Dorothy.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
  • Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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