On stage 36 productions, 57 years
| 1908 | Wildfire Liberty Theatre · Original | 64 perf. |
| 1910 | Girlies New Amsterdam Theatre · Original · directed by Jack Mason | 88 perf. |
| 1911 | Dr. De Luxe Knickerbocker Theatre · Original · directed by Frank Smithson | 32 perf. |
| 1914 | The Dummy Hudson Theatre · Original | 200 perf. |
| 1915 | Very Good Eddie Princess Theatre · Original · directed by Frank Sadler | 341 perf. |
| 1919 | Please Get Married Little Theatre · Original | 160 perf. |
| 1920 | Blue Bonnet Princess Theatre · Original | 73 perf. |
| 1920 | No More Blondes Maxine Elliotts Theatre · Original | 29 perf. |
| 1921 | Six-Cylinder Love Sam H Harris Theatre · Original · directed by Sam Forrest | 344 perf. |
| 1924 | Annie Dear Times Square Theatre · Original · directed by Edward Royce | 103 perf. |
| 1924 | New Toys Fulton Theatre · Original | 24 perf. |
| 1925 | The Fall Guy Eltinge 42nd Street Theatre · Original | 95 perf. |
| 1929 | Many Waters Maxine Elliotts Theatre · Original · directed by Leon M. Lion | 110 perf. |
| 1930 | Lysistrata 44th Street Theatre · Revival · directed by Doris Humphrey | 252 perf. |
| 1930 | Ritzy Longacre Theatre · Original | 32 perf. |
| 1931 | The Third Little Show Music Box Theatre · Original · directed by Alexander Leftwich | 136 perf. |
| 1932 | Whistling in the Dark Ethel Barrymore Theatre · Original · directed by Frank Craven | 265 perf. |
| 1933 | Best Sellers Morosco Theatre · Original · directed by F. Cowles Strickland | 53 perf. |
| 1933 | Love and Babies Cort Theatre · Original | 7 perf. |
| 1934 | Jigsaw Ethel Barrymore Theatre · Original · directed by Philip Moeller | 49 perf. |
| 1935 | The Hook-up Cort Theatre · Original · directed by Frank Merlin | 21 perf. |
| 1935 | Whatever Goes Up Biltmore Theatre · Original · directed by Arthur Sircom | 24 perf. |
| 1937 | Frederika Imperial Theatre · Original · directed by Hassard Short | 94 perf. |
| 1940 | George Washington Slept Here Lyceum Theatre · Original | 173 perf. |
| 1944 | Helen Goes to Troy Alvin Theatre · Original · directed by Herbert Graf | 97 perf. |
| 1946 | A Pound on Demand / Androcles and the Lion International Theatre · Revival · directed by Margaret Webster | 40 perf. |
| 1946 | John Gabriel Borkman International Theatre · Revival | 21 perf. |
| 1946 | What Every Woman Knows International Theatre · Revival · directed by Margaret Webster | 21 perf. |
| 1948 | A Temporary Island Maxine Elliotts Theatre · Original | 6 perf. |
| 1948 | Oh, Mr. Meadowbrook! John Golden Theatre · Original · directed by Harry Ellerbe | 41 perf. |
| 1950 | The Golden State Fulton Theatre · Original | 25 perf. |
| 1951 | Flahooley Broadhurst Theatre · Original · directed by E. Y. Harburg and Fred Saidy | 40 perf. |
| 1951 | Four Twelves Are 48 48th Street Theatre · Original | 2 perf. |
| 1960 | The Good Soup Plymouth Theatre · Original | 21 perf. |
| 1962 | Venus at Large Morosco Theatre · Original · directed by Rod Amateau | 4 perf. |
| 1965 | A Very Rich Woman Belasco Theatre · Original · directed by David Pardoll | 28 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| William Windom | 3 productions |
| Mary Jane Barrett | 3 productions |
| Mary Alice Moore | 3 productions |
| Julia Mills | 3 productions |
| Anne Jackson | 3 productions |
| Victor Jory | 2 productions |
| Todd Bolender | 2 productions |
| Theodore Tenley | 2 productions |
| Ruth Weston | 2 productions |
| Russell Morrison | 2 productions |
| Robert Rawlings | 2 productions |
| Richard Waring | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Ernest Truex, Alice Dovey, Oscar Shaw, Helen Raymond, John E. Hazzard, John Willard, Ada Lewisebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- With: Ruth Gordon, Diane Cilento, Mildred Natwick, Sam Levene, Jules Munshin, Ernest Truexebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- Blow out the trumpets for Flahooley. Above, the Playbill and the flyer for a Flahooley revision known as Jollyanna. Below, Ernest Truex (holding doll) proudly presents B. G. Bigelow, Inc.’s, newest product, flanked by Jerome Courtland and Barbara Cook.ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
- EDITH STOREY, ERNEST TRUEX, ARCHIE BOYD, EDITH TALIAFERRO in ‘REBECCA OF SUNNYBROOK FARM”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Pickford, William Norris, Ernest Truex and Lillian Gish; “Joseph and His Brethren,” a Biblical spectacle, with Paul-theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- dock, Hale Hamilton and Maude Eburne; “The Dummy,” a comedy with Edward Ellis, Ernest Truex and Joyce Fair, a child actress who grew up to be Clare Booth Luce, playwright and politician; and “A Pair of Silk Stockings,” a comedy produced by Winthrop Ames. RUTH CHATTERTON in “DADDY LONG-LEGS”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.